Duane Raleigh Archives - Climbing https://www.climbing.com/byline/duane-raleigh/ Climbing.com is your first stop for news, photos, videos, and advice about bouldering, sport climbing, trad climbing and alpine climbing. Since 1970, Climbing magazine's mission is to inspire people to climb, seek new challenges, and climb better and safer. Fri, 06 Jun 2025 02:48:16 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 https://cdn.climbing.com/wp-content/uploads/2021/03/cropped-climbing-32x32.png Duane Raleigh Archives - Climbing https://www.climbing.com/byline/duane-raleigh/ 32 32 A Climber We Lost: Stewart M. Green https://www.climbing.com/culture-climbing/a-climber-we-lost-stewart-green/ Wed, 15 Jan 2025 14:43:38 +0000 https://www.climbing.com/?p=109701 A Climber We Lost: Stewart M. Green

Each January we post a farewell tribute to those members of our community lost in the year just past. Some of the people you may have heard of, some not. All are part of our community.

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A Climber We Lost: Stewart M. Green

You can read the full tribute to Climbers We Lost in 2024 here.

Stewart M. Green, the “Fred Beckey of adventure guides,” embarked on his final adventure on June 4. He was 71.

Green provided legions of climbers with routes to climb, but his books and photos will be his enduring legacy. Green penned and photographed some 45 to 70 books (the precise count is unknown). You may have gotten his beta in Rock Climbing Colorado with its 1,800+ routes, or Rock Climb New England, Best Climbs Moab, or Rock Climbing Europe, to cite just a few of his works. You may not be familiar with his Best Easy Day Hikes Phoenix, Best Lake Hikes Colorado, Scenic Driving Arizona or Scenic Driving California’s Pacific Coast—Green wrote and photographed outside the climbing world perhaps even more than he did within it.

A freelance writer and photographer since 1977, Green was steeped in an old-school work ethic and stayed the course. He did much of the research for his books himself, often climbing most of the routes in his guides, especially the ones covering his home turf around Colorado Springs. For his book on the Pacific Coast he drove the route four times and took 20,000 photos. For Scenic Driving Arizona he logged 10,000 miles. His last book, Best Easy Day Hikes Phoenix, was published in September.

“Stewart [had a] dedication to the reader, a need to provide reliable and useful information,” says Max Phelps, Green’s longtime editor at the publishing house Globe Pequot/Falcon Guides. “I was often left marveling at his energy, unwillingness to compromise on the quality of his work, and the many miles of hiking and driving.”

One of Green’s more recent books Hiking Waterfalls Utah, sold out before it was even in shops. “I was looking forward to sharing the news of early success for this book with Stewart,” says Phelps. “For most authors, it would be good for bragging rights, but boasting was not in his nature.”

At tradeshows Stewart’s popularity was evidenced by the long lines to get his signature on his books.

As an editor for Climbing, and then Rock and Ice and Ascent, I kept Green flagged in a Rolodex as a first call for when we needed a desert or mountain landscape or a photo of just about any route, old or new. Looking for a pic of Indian Creek’s Supercrack? Green had it. He was in fact there in 1976 photographing his buddies Ed Webster, Earl Wiggins, and Bryan Becker as they made the first ascent of the iconic route.

“[Green] rode shotgun, documenting climbing because of his love of climbing and photography,” says David Clifford, former Rock and Ice photo editor. “He earned his spot on the front lines of climbing history with his easygoing nature, and his ability to capture it all in a frame that was authentic.”

Green would say that he was a “Street photographer at heart, walking with a camera and grabbing shots as life happens on the avenue of life.”

Stewart Green came of climbing age in the early 1970s, and led a robust and inquisitive life. Unlike most climbers of the ‘70s, Green steered away from brickweed and drink. Also unlike most climbers who only locked on climbing, Green was a Renaissance man. He loved art, history (including that of Captain Jack, who was actually a woman), studied the geology, flora and fauna of the places he visited and happily shared the details. He had a degree in anthropology/archeology and wrote the book Rock Art: The Meanings and Myths Behind Ancient Ruins In the Southwest and Beyond. His homepage photo on Facebook isn’t a climbing pic, but one of a marble fountain in the Piazza Navona, Rome, taken during a nine-day trip to Italy, his first time there, just last February.

Jimmie Dunn met Green in the 1960s and they remained tight. They met bouldering. “He was impressed because I was the only person who could do the problems he could do,” says Dunn. “We called him ‘Stretch’ because when he was young he was so skinny that when he turned sideways you could barely see him.”

Dunn recalls a trip to the desert southwest in 1971 when he, Green, and Billy Westbay made the first ascent of Castleton’s West Face (5.11) the sixth or seventh ascent in total of a tower that today has seen over 80,000 ascents. Earl Wiggins noted that the West Face was “one of the hardest desert climbs of the era.” Green, on his blog, wrote that the “Three of us felt privileged to climb that proud tower and stand alone on its sky-island summit, surrounded by the untrodden red rock desert …”

On that desert excursion the three climbers also made the third ascent of Standing Rock and the fifth ascent of North Six Shooter Peak.

All, however, didn’t go smoothly. On the drive back home to Colorado, Stewart’s 1963 VW bug broke down on the road from Castle Valley to Cisco, Utah, a dirt track that at the time was impassable after even a light rain. “It was September, hot,” says Dunn. “Nobody was around, no cars, just an eagle soaring across the desert.”

Popping the hood, they found that the pulley wheel had broken on the bug’s air-cooled engine. Lacking tools, they used a piton and hammer to get the nut off the pulley, freeing it so they could get a matching part. But from where?

They walked in a beeline across the desert “six or seven miles” to Cisco—a ghost town today— from there they hitchhiked 50 miles to Grand Junction, scored a replacement pulley, and returned to repair Green’s German machine.

Decades rolled on and Green became an elder statesman who was passionate about the future of climbing, access, and the environment. “He talked about why climbers should not be able to do whatever we want in the National Parks,” says Dunn. “He said that if we can do absolutely anything, then anyone can do anything including dirt bikers and paint ballers. He wanted us to go by the rules and not ruin it.”

At the time of his passing Green was working on his memoirs. I hope that someone completes the project for him so we can all read about his adventures. Green was a colorful cat with a quiet charisma, Buddha like, and like The Enlightened One he remained a bit of a mystery.

“He could be elbow to elbow with you as a buddy,” says Henry Barber, “but he’d never tell you that he’d done anything. He was almost embarrassingly humble. If you mentioned anything he’d done he’d get red in the face and shrink back.”

I imagine that Stewart is now out there somewhere, getting up early to capture the morning light, staying for the golden hour of sunset, snapping pics and writing away about the magnificence he’d witnessed. I do look forward to reading his next book, though not anytime too soon, please: Best Climbs, The Galaxy.

Green is survived by his son Ian and daughter Aubrey.

You can read the full tribute to Climbers We Lost in 2024 here.

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How Many Times Can You Cheat Death? https://www.climbing.com/culture-climbing/avoiding-tragedy-while-climbing/ Wed, 28 Aug 2024 21:29:17 +0000 https://www.climbing.com/?p=108137 How Many Times Can You Cheat Death?

A lifer reflects on risks taken (and fates avoided) thanks to the unexpected friendships forged along the way.

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How Many Times Can You Cheat Death?

This story, originally titled “The Learning Curve,” appeared in our 2024 print edition of Ascent. You can buy a copy of the magazine here.


The three-story house blasted out of the limestone cliff had been built by a mad doctor, said someone in our group. “This is where he experimented on people and took drugs,” someone else said. I peered down a hole I imagined was a trapdoor and into the black of a concrete room.

We were there to climb Independencia, a thousand-foot limestone fin adjacent to the doctor’s abandoned home. Independencia is the most prominent wall in Cañón de la Huasteca on the outskirts of Monterrey, Mexico, notably not only because it soars well over 1,000 feet from the desert floor but also because it features a cyclops eye piercing straight through it. You could fly a Cessna through the Cueva de la Virgen, so named because it casts a silhouette resembling the Virgin of Guadalupe, though we never saw it, nor would we witness any miracles.

A few members of the Texas Sierra Club had recently been to Huasteca and had returned with tales of massive limestone walls. Climbing’s coconut telephone spread the word, and that’s how we found ourselves in the good doctor’s lair sometime around 1979.

Our headlamps sliced back and forth in the night, revealing more ruins. Doors and windows were missing, rebar protruded, and broken glass made walking noisy. Some of the windows had bars.  Up on the cliffside, their only purpose could have been to keep someone inside. Should we be here? I stuck my head out a window. A draft of cold desert air blew my hair straight up.

“We should probably get out of here,” I said.

“Let’s check out the next room,” said Bill.

I was 18. Bill Thomas was a couple of years older and an artist in Dallas. He was a grown-up to me, worldly. Job. Wife, Vicki. I had yet to graduate from high school, and when I boarded the train in Oklahoma City to meet Bill in Dallas for the drive down to Mexico, I’d yet to have a full glass of beer.

We kicked around in the bunker on the cliff, scaring ourselves with imagined stories of dissections, then scrambled down the backside on an old mule and cut to our dusty campsite in the canyon bottom.

Decades later, I learned that the concrete bunker, built over five years beginning in 1955, had been the refuge of the famed Mexican scientist and physician Dr. Eduardo Aguirre Pequeño. In the 1930s, Dr. Pequeño put himself through medical school by preparing bodies for a morgue. Later, he contributed to the study of mal del pinto, a tropical disease exclusive to the Americas that is similar to syphilis. Part of his contribution included testing inoculations on himself. It is said that when the doctor was injecting himself, you could hear his screams echoing off the canyon walls.

Back in camp, Vicki had fired up a pot of ramen. Vicki didn’t climb, and I don’t think she even liked the idea of it. She was there to soak up Northern Mexico and monitor Bill. She always seemed to worry when he climbed, always telling me to “keep an eye on him,” not let anything happen. Bill would wave that off, and I didn’t really let it absorb into me, either.

Bill dropped an egg in the ramen.

Vicki handed us mugs of noodles. “What did you find up there?” she asked.

“Not much,” said Bill. “Just bones.”

“Really?”

Ignoring Vicki’s worried glance at the cliff we were to climb the next day, Bill pulled the top off a Carta Blanca and took a big drink, foam sticking to his thick mustache.

Victor Padilla, Juan Guzman, and their tutor and one of Mexico’s leading climbers during the 1960s and 1970s, Juan de Dios de Leon Camero.
Victor Padilla, Juan Guzman, and their tutor and one of Mexico’s leading climbers during the 1960s and 1970s, Juan de Dios de Leon Camero. (Photo: Paul Vera collection)

In the morning, we jammed our packs heavy with gear and ropes and did a loose and sweaty scramble to the base of Independencia’s north face, the steepest and tallest wall as far as we could see. The Sierra Club crew had noted a route somewhere on the face, and we hoped to climb it if we could locate it.

On the approach, we pulled off small holds and larger blocks of brittle limestone, which bounced and broke like jars below us.

“Hey, guys,” yelled a voice from below, “I’m down here.”

Bill and I paused. A few minutes later, a scrawny guy with a patched-up pack, buzz cut, knickers, and a thrift-store shirt pulled up to us.

It was The Roach.

That wasn’t his real name, but he worked for the government and had security clearance and never wanted to be mentioned in any story or have his picture taken. Some climber had coined The Roach’s nickname for his habit of traveling the country and snagging choice FAs out from under the noses of the locals, who weren’t always appreciative.

The Roach was a New Englander, a sergeant in the Army stationed at Fort Sill on the edge of the Wichita Mountains in southern Oklahoma, where I’d learned to climb and where I’d met him after he’d poached one of the best lines at the best crag. The Roach had a souped-up Volkswagen Rabbit that he drove fast, sometimes visiting a distant state over a weekend just to tag it. With a tail-light cutoff switch, CB, radar jammer, and Recaro race car seat, his car was tricked out to evade. With this, The Roach hadn’t thought anything of driving through the night down from Fort Sill to find us. That was fun.

“Yeah,” said The Roach in his shrill Yankee voice. “Heard you guys were here. Figured I’d climb with you, if you don’t mind.”

With The Roach now setting the pace, we quickly arrived at the base of the wall and threaded our way among limestone blocks and plants that either had thorns like barbed wire or spikes like icepicks—the Huasteca Giant agave can infamously grow to six feet across.

The start of the climb was obvious: rusty bolts and pins resembling an artist’s found-object work. They dotted a line into a fog soup that had settled on the wall. The pins were strap iron twisted sideways on the end and fixed with a clipping ring. The bolts seemed stolen from a mechanic’s junk bin. The gear had indeed been made locally, and the route, first climbed in the late 1960s, was a turning point regionally and even nationally—the dawn of a new age, the beginning of the Huastequismo Golden Era. It was, says Paul Vera, one of Huasteca’s current developers, “the first time a wall of such scale and steepness had been tried, and even the first time a modern dynamic rope had been employed.”

Marco Antonio Ramirez on the second pitch of la Sur de La Independencia.
Marco Antonio Ramirez on the second pitch of la Sur de La Independencia. Marco Antonio died in 1964 at 17 years of age while leading during a first ascent attempt on El Diente’s South face. (Photo: Paul Vera collection)

Mexican climbing legend Juan de Dios de Leon Camero had led the difficulties during the pioneering ascent, toiling on the gray limestone weekend after weekend. The group—Carlos Rangel, Adolfo Garcia, and Jose Reyes—descended on Sunday to be back at their blue-collar jobs on Monday. When the workweek was over, or on holidays, they’d return and advance the line, Prusiking frayed fixed ropes or hand-over-handing up electrical cable they’d strung between gear.

As de Leon Camero and team neared the top of the wall, news of a tragedy reached them. Two climbers had been killed in a crevasse on one of Mexico’s big mountains. One of the Independencia climbers would need to attend the funeral and represent the climbing community to pay respects to the families. As team leader, de Leon Camero quit the wall to attend the services. Now just an easy scramble from the summit, the remaining crew pressed on, completing an ascent as revolutionary in Mexico as the first ascent of El Cap was in the United States.

They named their route La Norte Independencia, but de Leon Camero would, says Vera, also christen it La Checoslovaca, after a certain Czech lady climber who had visited during the 1968 Summer Olympics in Mexico City.


Pitches went by uneventfully, with Bill, The Roach, and I yarding on suspect pieces and swinging leads. At times, spicy free moves connected stretches of aid. For the first-ascent team, busting those moves in work boots, with no fixed pro ahead and not knowing what would come next, must have caused a few anxious moments.

Near the midsection, we encountered a stretch of the electrical wire tied between the bolts. Aside from not getting tangled in the wire, one of the greater challenges on the climb was avoiding the agave and yucca bristling from the wall like porcupine quills. A fall was unthinkable—you’d rather close yourself in an iron maiden than slam into one of those plants.

The climbing itself was simple aid, but the north face was the steepest, tallest, and airiest situation I’d been in, and I was relieved when we pulled onto the summit of Pico Independencia and kissed the wooden cross planted in the capstone.


Juan de Dios de Leon Camero, a youth climbing instructor, top rope belays outdoors.
Juan de Dios de Leon Camero was a youth climbing instructor. He pioneered the first ascent of the north face of Independencia. He led every pitch except for the last when he was called away to represent the climbing community at a funeral for two climbers. (Photo: Paul Vera collection)

The market in Monterrey the next day smelled of peppers, grease, and engine fumes. We—now including Texans James Crump and John Sanders—shouldered through the crowds around the stalls, and I bought a silver ring with a brown stone in it. Turned out, years later, when the glue failed and the stone fell out, that it was plastic, and the ring wasn’t silver, either.

We hammed it up, posing for photos; I donned a sombrero while a shop owner held a butcher knife to my throat.

Escaping the heat, we ducked into a dim street-side bar that reeked like a men’s room.

Bill and I ordered beers. They came out warm, and when my eyes adjusted I noticed a metal trough at our feet running parallel to and the length of the bar, terminating at a drain.

“Urinal,” said Bill. “Convenient.”

We spent a few more days in Huasteca, kicking around, climbing several easy free routes up long backbones of limestone. I was amazed by the abundance and scale of the rock. Walls and peaks rose as far as you could see, almost all of them unclimbed. If I’d moved there and spent the next 45 years putting up routes every day, you still wouldn’t be able to say the place was developed.

Huasteca Canyon was quiet. Just us and a few vaqueros on horseback, blanket rolls and bags of grain tied to the saddle horns, passing along the dry creek bottom. They never acknowledged us. We never acknowledged them.

We broke camp after about a week and began the 10-hour haul to Dallas. Late at night, I spelled Bill, taking a turn at the helm of his Volkswagen bus. Around midnight on the narrow Texas road, my mind was wandering, when a deer ran onto the highway. I hit the brakes, leaving two stripes of rubber on the road. Our piles of gear flew forward, and then there was a thump.

The deer had caved in the front end of the van.

“What was that?” Bill asked.

“I hit a deer.”

“Is it dead?”

The deer was still alive on the road, lying on its side, chest heaving, soft eyes scared.

“It’s suffering,” I said. “We have to finish it off.”

But how? We didn’t have a gun.

“Use this,” said Bill, handing me a hammer we’d used on the wall.

I aimed at the delicate spot between the deer’s eyes, raised the hammer, then slowly lowered it.

“Can’t do it,” I told Bill.

“You have to.”

“I’ll run over it.”

The van was still drivable, so we got in, and that’s what I did.

It was morning before anyone said a word.


Bill Thomas wasn’t my first climbing partner. Donnie Hunt was.

On Christmas Eve in 1975, when Donnie and I were 15, we rode our bikes 30 miles down I-40 to Red Rock Canyon State Park. Red Rock was the nearest thing we had to a real cliff. The walls there were 50 feet high at best, but it was rock, and a step up from the clay creek banks that we practiced on almost every day after school.

Arriving in Red Rock around noon, we hammered framing nails into seams on one sandstone wall, a checkerboard streaked with blue. As the winter sun began to dip behind the cedars, we clawed over the top, grabbing fistfuls of dirt as holds. An ice storm blew in during the ride home, and by nightfall our bikes were so glazed in ice, the chains wouldn’t turn. We dismounted and walked.

Around 11 p.m. that night, after about 25 miles of slow going, we topped a slight rise where we could see the glow of town up in the clouds.

A highway patrol car pulled alongside us, its red and blue lights turning.

The policeman leaned across to the passenger’s seat and rolled down the window.

“You the Hunt and Raleigh boys? Your folks called. They’re looking for you.”

“Found ’em,” he said into his radio. “Out by Hydro.”

The patrolman drove off, and when we got home, we were both threatened with grounding, but that didn’t stick.


The author, not realizing the difference between alpinism and rock climbing, in knickers and mountain boots on Mount Scott in Oklahoma’s Wichita Mountains, in the mid 1970s.
The author, not realizing the difference between alpinism and rock climbing, in knickers and mountain boots on Mount Scott in Oklahoma’s Wichita Mountains, in the mid 1970s. (Photo: Donnie Hunt)

Donnie’s stepdad, Virgil, distributed beef down in the southwestern corner of the state, about an hour and a half away. Part of his route took him to Lawton and the nearby Wichita Mountains, a small upheaval of rugged granite hills, a natural attraction, being the only topographical relief for hundreds of miles. The last Comanche chief, Quanah Parker, and the Apache leader Geronimo are buried there. Coronado and the conquistadors passed by in 1541. Jesse James stashed gold somewhere.

We were too young to drive, but Virgil let us ride along. For us, the Wichitas were an X on the treasure map.

Virgil dropped us off at Mount Scott; at 2,464 feet above sea level, it’s the second-highest peak in the area. “Pick you up here this evening,” he said, then waved and headed south in the station wagon.

We explored Mount Scott’s boulder fields, roping up to cross the larger gaps.

On another trip we found the Narrows, a deep canyon that, from a distance, looks like a stone gate. With us, we carried a copy of a 1974 National Geographic with the article “Climbing Half Dome the Hard Way,” about the first piton-less ascent of Yosemite’s Half Dome by Doug Robinson, Galen Rowell, and Dennis Hennek. The article was our instruction manual, and at the base of a climb, we’d review the pictures. We didn’t always get it right, belaying by wrapping the rope around a gloved hand.

Hiking to the Narrows, we skirted a herd of bison grazing on Indian grass, ditched our camp gear under a tree, and scouted for cliffs. We scraped through woodlands, dense oak and blackjack raking our arms like hay hooks.

West Cache Creek bubbled cold and clear in the Narrows. Sunfish darted after minnows. Golden eagles screamed from the granite cliffs. Donnie and I would swim as much as we’d climb, favoring a cold, dark pool upstream where the canyon pinched down.

Once we were old enough to drive, we’d cut from school on Friday and spend all weekend in the mountains, climbing routes that today would hardly qualify as technical, our sneakers holding us back from making any difficult moves, but the climbs were real to us.

We climbed there for over two years, yet still, we hadn’t seen another climber or even a sign of one: no fixed pins, no bolts, no chalk, no sling around a tree. We figured we were the first and only climbers from there to Colorado until we saw a long-haired guy with a pack and a rope tied to the top. A dark-haired woman followed him, and they hopscotched boulders in the creek.

We observed from the woods, anxious to finally meet another climber.

Donnie and I wore knickers and jackets we’d sewn ourselves. Donnie had even made his pack; he was good about seeing flat pieces of fabric and imagining them into shapes that could do things like hold gear. He was straight A and had long red hair that the girls loved. He married just out of high school, and later, after his kids had grown and left, he went back to school and got a degree in electrical engineering.

When Donnie and I finally stepped out of the trees, Bill gave us the once-over.

“You climb?” he asked.

We roped up with Bill, and again every weekend after that, until Donnie graduated and left small-town Oklahoma, and then it was just Bill and me and Vicki, who by now usually stayed in camp, read paperbacks, and worried about her husband.

Bill had real gear and had climbed with others in Texas, usually at Enchanted Rock, a granite slab near Austin. His belay device was a marvel to me. He even had rock shoes, and I saved up, spending $50 on a pair of EBs just like his. I treasured those shoes, checking the soles after each outing, examining them for wear, calculating how many more routes they had in them before I’d have to shell out another $50.

The author climbs at Enchanted Rock State Park, Texas, in 1979. He narrowly avoided a tragedy while climbing at this crag.
On sight, ground up, was the only way to climb back then—sport tactics were unknown and wouldn’t have been accepted at the time anyway. The author at Enchanted Rock State Park, Texas, in 1979. (Photo: Bill Thomas)

The Lichen Wall is 250 feet high and the tallest cliff in the Wichitas. A few routes skirted its edges in the late 1970s, but nothing went up the center, a spoon of gray-green stone with water streaks like war paint.

Bill and I plotted a potential route that rambled up the king line. Two, three pitches? Bill wound webbing around his waist like a cummerbund, making a swami belt, tied in and shouldered a rack of slung nuts and hexes that clanged like cowbells.

Thirty feet up, Bill placed a small nut into a slot, the only pro so far, and climbed past, polishing off the crux moves and getting onto terrain that looked 5.7 or so. Easy for him—still no pro, though.

I fidgeted at the belay in the gravel by the creek and ran calculations—he was now so high that the nut wouldn’t do any good.

Bill’s progression was smooth, and with just 30 easy feet to go to the belay, it looked like he had it in the bag. From there, a series of horizontal overlaps would get us to a large ledge at the end of the second pitch. Above that, we didn’t know. It was too far away to tell much.

On the third pitch of Fantastic Voyage (5.12a) on the Lichen Wall in the Wichita Mountains, in the early 1980s. Jon Frank and Charlie Hayes at the belay.
On the third pitch of Fantastic Voyage (5.12a) on the Lichen Wall in the Wichita Mountains, in the early 1980s. Jon Frank and Charlie Hayes at the belay. (Photo: Keith Egan)

The jangling of bells got my attention. I looked up to see Bill rag-dolling down the wall. With rope stretch, he just brushed the ground, then rebounded, hanging from his swami belt, looking like he’d been broken in two.

I lowered him a couple of feet to the ground.

He wasn’t moving, and his eyes were rolled up in his head.

He’s dead.

I’d seen dead people before at funerals but had never touched any, and the thought of it spooked me. I didn’t have any training and didn’t know if I should try CPR or get help.

Another climber I’d recently met, Terry Andrews, was climbing around the corner out of sight with a friend. I ran over for help.

“Bill fell,” I screamed.

“How is he?”

“He’s dead!”

I ran back to Bill to wait for Terry.

When you sit next to a dead person, you feel dread. Dread about what comes next, what you’ll say, what your fate will ultimately be. At my age, though, it was just a flat dread. The other feelings wouldn’t come up until decades later when I’d help carry the body of a friend down from an ice climb and deliver him to his family. There was nothing to say, just the dread that pulled like a new gravity.

Terry came at a sprint. “What happened?” he said, gasping.

“Bill fell from up there.”

“What are we going to do?”

“Don’t know.”

We looked at Bill crumpled on the ground, the rope slack around him.

Then Bill sat up and rubbed his head.

“Sheeett!” he said. “What happened?”

Bill stumbled for words, looking up at the route, then looking down, then up. I still don’t know how he fell. Maybe a foot just slipped. Maybe a hold broke.

Once Bill’s mind cleared and he grasped the situation, he wobbled to his feet. We thought he might collapse, that we’d have to carry him out, but he straightened up and untied from the rope, no doubt considering the consequence that could have been and the one that might yet lie ahead.

“Hey guys,” he said, “don’t tell Vicki.”

On the hike out, Terry told us of a crag not an hour away with beautiful pink stone, just a few routes and loads of potential. “That’s the place to go,” he said.

“Lead the way,” we said and followed his tail lights west toward a promised land.

Baldy Point, also called Quartz Mountain, is an extension of the Wichitas and near its westernmost end, although you wouldn’t know it because they disappear under the farmlands for dozens of miles, then spring back up like warts as you near the town of Altus. From afar, Baldy looks a bit like the Loch Ness monster without the neck. This peak and others nearby may be a part of the Wichitas, but quartz granite is much better, fine-grained and clean as a tombstone—the smaller peaks around it are cut up with monumental quarries.

When Bill and I first pulled up, heavy fog hung over Baldy Point (known to climbers as just “Quartz”), and the stone seemed to reach forever into the sky. I think I actually gasped when I saw it.

Bill Thomas at the “S” during the first ascent of The S Wall at Quartz Mountain in 1979, an area rife with climbing tragedies.
Bill Thomas at the “S” during the first ascent of The S Wall at Quartz Mountain in 1979. (Photo: Duane Raleigh)

Conditions were damp, but Bill and I couldn’t wait and jumped on a recent route—they were all recent, all seven of them. Bourbon Street was the obvious choice, a rusty streak over knobs and shallow potholes to a belay below a gaping offwidth that swallows you and eats your clothes on the second pitch. Greg Schooley and Bernie Wire established this 5.8 in 1978 and nabbed many other gems, notably The Hobbit, Three Bolt, and Pacific Route.

Climbing Bourbon Street was like hearing music for the first time. That climb showed us that seemingly blank faces were possible—as long as you had a hand drill. Quartz had no shortage of blank faces, and Bill had bolts.

The difficulties on Quartz rock are like the weather: If you don’t like it, come back tomorrow. On a cool day, your hands and feet stick anywhere. On a hot day, which was more often, hands and feet hardly stick at all—5.8 doesn’t just feel like 5.10, it becomes 5.10. Wind can also be a factor. Exposed to endless miles of flat wheatfields to the west, the face of Quartz is a giant windscreen taking the brunt of the pressure that builds on the flats down in Mexico and boils across the plains like the pressure wave from a thermonuclear blast. Quartz is the first obstacle in its way. If you are on the wall trying to rappel, your ropes blow straight up, and you can’t get them down.

But we had yet to learn any of that. Many lessons lay ahead, like the one taught on lead, trying to stance in a bolt or wrestling with the mental gyration of whether it’s better to keep climbing with no pro. One time I broke a drill before a hole was finished, and I was actually relieved because the decision just to go up had been made for me.

I didn’t realize it at the time, but on most routes there it’s easy to fall in your head but difficult to fall in practice. Gravity and texture hook onto you. You could pull out all the bolts and remove fear from your mind, and the outcome would be the same as if nothing changed, but it would be dangerous to know that in advance.

I climbed my first 5.9 and 5.10 with Bill at Quartz, learning curves that were more like ramps because they never curved down.

At nights, we’d crowd in a cave formed by semi-sized boulders that had rolled together, leaving a room that was high enough to walk upright in. I imagined that we weren’t the first to hole up here, that the Wichita or Commanche who ruled the grasslands had ducked into the cave during immoderate weather. And years earlier, during the Vietnam War, most likely, someone had spray-painted a peace sign on the back wall of the cave. Farmer Ted Johnson, who owned the crag and the surrounding wheat fields, didn’t know what it was and called it a “turkey track.” I don’t think anyone ever corrected him, but he could have actually been right.

A small gang of climbers soon formed, and evenings became social. We drilled a brass rivet into the cave ceiling to hang a lantern, and we’d stuff the fire ring so full of mesquite the heat would take the wrinkles out of our clothes. When the fire died down, we’d hitch a sling to the rivet and do pull-ups. Beverages were Brown Derby, and we’d puzzle out the pictograms on the insides of the caps that were so stupidly easy we sometimes couldn’t get them.

Once a few bottles had been drained, we’d play the bottle game, where you’d take an empty bottle in each hand, plant your feet, and walk out on your hands until you were fully extended, body parallel to the ground, then set a bottle out as far as you could reach. Whoever got the most distance out on a bottle won. We were competitive, stoking up for a turn. I think some of us even secretly trained at home and then would show up as if we’d never heard of the game: “Now, how do you play this …?”

Honestly, I don’t recall many specifics about the climbing except the time Herndie fell 100 feet and the time James fell 75 feet. (I know I said it was hard to fall on this rock, but there are exceptions.)

I do vividly remember worming through a natural tunnel maybe 100 feet long below the base of the headwall. We’d drop in there at night and belly crawl. One constriction was so tight I’d had to exhale to get through it. I didn’t know it then, but a naturalist from the Oklahoma City Zoo had investigated the tube and said the wall had been worn smooth by the writhing of thousands of rattlesnakes.

Those evenings in the Turkey Track Cave cemented lifelong friends, although I’ve lost touch with most of them.

I saw Bill at Quartz about 15 years ago. He was there with Vicky. They looked exactly like I remembered; hadn’t changed. It was as if we were still in Huasteca. But changes there had been. Bill didn’t climb much now. He was deep into endurance racing his boat down in the Gulf, getting way out there on the water.

“You should come out and crew,” he said. “Could use a hand.”

I thought about it, but Jaws really ruined the water for me.

“Well, maybe,” I said, knowing I’d never do it.

“You should go,” said Vicky, poking me in the ribs. “Bill, all the way out there on the water … You could keep an eye on him.”


To read more from Ascent, visit our table of contents here.

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And the Worst Climbing Gear Ever Invented Is… https://www.climbing.com/skills/worst-climbing-gear-ever/ Mon, 22 Apr 2024 14:58:17 +0000 https://www.climbing.com/?p=66268 And the Worst Climbing Gear Ever Invented Is...

Over the years there's been some really, really terrible climbing gear that surprisingly made it to market.

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And the Worst Climbing Gear Ever Invented Is...

In the interest of transparency, I’ll say that I am not sponsored, and never have been sponsored, but that some gear is sent to me for free, and other gear I purchase. I like most of the gear I use and have used, and almost all of it is great compared to even state-of-the-art equipment of just a decade or two ago. Shoe rubber is better. Ropes are lighter, helmets are no longer big eggshells, carabiners are easier to clip and weigh less. You get the picture. I can’t really single out one thing as the worst piece of climbing gear ever invented, because there have been so many flops, but I have narrowed it to five:

1. Stubai Marwa

This wine-bottle opener was also known as the “coat hanger” ice screw, because it was seemingly fashioned from a twisted coat hanger. The Marwa came in lengths from four to nine inches, and you screwed it into the ice. I used these in the late 1970s and they were so difficult to place and so flimsy that if you attempted to place one, you yourself were screwed. The Marwa was good for two things. In the days before modern ice tools and crampons, you could aid up vertical ice with it—if its bending action didn’t frighten you too much. The upside was the Marwa was so horrendous it spawned attempts to improve it, spawning the birth of today’s awesome tube screws.

2. Forrest Mountaineering Titons

These were bits of aluminum T-stock, basically scrap, with the sides tapered so you could place them (or try to) like large Stoppers or hexes, and had and I imagine still have die-hard supporters. Supposedly, you could cam Titons, but they rattled down the crack every time I tried that. As large passive nuts they were OK and similar to the Chouinard Tube Chock, though heavier. I actually bought a full set of Titons and carried them for several years before figuring out that they didn’t really work. To be fair to Bill Forrest, the rest of his gear was revolutionary or at least borderline so. My first sewn harness and first aluminum-shafted ice tool were Forrest, and he was the first in the climbing world to dispense with riveting and use glue to attach the tool head to the shaft, on his Mjollnir ice tool and Wall Hammer, and to produce a tool with replaceable picks. But the Titon …

3. Canadian Quest Technology Buddy

I got one of these in Yosemite, out of the back of a car for $10 in 1982. Worst 10 bucks I ever spent. Well, I take that back because I like
having this rare and useless artifact in the Gear Guru Climbing Museum.

The Buddy was an attempt to best the Friend, which was still patent protected at the time, by having a long solid cam on either side of the stem, instead of two much thinner cam lobes that could move independently and adapt to the shape of the placement. On paper that might seem like a bright idea, but in the field the Buddy never fit anywhere except for perfectly parallel-sided cracks. Like the Marwa ice screw, the Buddy did at least get people thinking about other ways to improve upon the camming device, leading to TCUs, flexible stems, double axles and micro and macro units.

4. One Sport Resin Rose

Yikes. Besides being pink and blue, this rock shoe had a tin midsole for support and emerged on the scene in the mid 1980s. You heard that right: TIN. This midsole might have been hacked out of a beer can, but it did let the shoe edge better than the Fire, the leading shoe of the time. Problem was, the sharp piece of tin cut its way through the shoe like a festering thorn, eventually cutting thorugh the seam between the sole and rand. Very likely every pair that was sold was returned: I know that nearly everyone who bought a pair from me (I had a small mail-order business way back then) got their money back … if you didn’t, sorry, the warranty has expired!

Buy them here for 400 Euros (LOL)!

5. Coyote Mountain Works Samson

I didn’t have or use these plastic camming units from the late 1980s because they were yanked from the market before I could buy one. I was keep to buy the Samsom because a composite cam seemed to have advantages over a metal unit. The Samson was lighter, primarily. Unfortunately, the cam couldn’t handle a torquing load and shattered like carnival glass. Still, the idea of using composites in protection was revolutionary, and I suspect that we haven’t seen the
last of its likes.

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Is it Okay to Wear Socks with Rock Climbing Shoes? https://www.climbing.com/skills/is-it-okay-to-wear-socks-with-rock-climbing-shoes/ Tue, 09 Apr 2024 20:54:30 +0000 https://www.climbing.com/?p=90541 Is it Okay to Wear Socks with Rock Climbing Shoes?

Our gear expert weighs in.

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Is it Okay to Wear Socks with Rock Climbing Shoes?

I have noticed that hardly anyone wears socks in their rock shoes. Hardly is an understatement. Actually, I may be the only climber on Earth who wears socks. To me, socks make sense. Rock shoes, even expensive ones, are uncomfortable and socks add a bit of cushion and a hygienic layer. Am I wrong to wear socks?

—Jesse Dank, Enumsclaw, Washington


The fashion of not wearing socks—or going “commando,” raw doggin’ it, etc.—in rock shoes is actually a recent phenomenon. When I started climbing in 1973, almost everyone wore socks with E.B.s or P.A.s, non-sticky-rubber shoes that were smart accessory footwear to the thumbscrew, but of limited value on rock. When you wore shoes such as these, said to have been cast on a men’s dress-shoe last complete with point, socks provided padding for your tortured dogs.

Yet sometime around 1983, when sticky Fires hit the market, most climbers refused to give up their socks. This might have been because we had been trained to wear them, or we wanted to look like John Bachar, who famously sported calf-high tube socks with his Fires, or because back then everyone climbed long routes and had to carry sneakers and socks anyway for the certain-to-be-really-long descents.

Then, curiously, some climbers began rocking their shoes bareback, and wearing socks branded you as a noob. This holds true even today.

Assuming you are merely a practical person rather than one who falls into the above category, wearing socks, as you noted, does protect your feet from a shoe’s harsh stitching, seam tape, and other interior sharpies. If I were climbing El Cap, or any bit of long stone, or cracks, I’d size my rock shoes slightly larger and wear socks for comfort.

There is, of course, the question of sensitivity. Performance demands a skintight fit, and that demands that the skin of your foot press right against the interior of the shoe. It can be said that going sockless gives you a better “feel” for the holds, that socks dull the sensation, like wearing a raincoat in the shower.

Pshaw. Saying that you can feel the rock through a slab of rubber and a midsole is to confuse “sense” with “feel.” You do develop a sense for how your shoe contacts the rock, how the edge sits on holds, for example, but it is a stretch to believe that you can actually feel the texture and shape of the holds through the shoe sole. This is especially true for board-lasted shoes, which have the feel of wooden clogs (and which I prefer, really).

In most cases, there is no rational reason for not wearing socks. Instead, it all comes back to fashion, and as they say, “fashion changes, style endures.” If you like socks, fly them with pride. Next!

Also Read

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How Tight Should Your Climbing Shoes Fit? https://www.climbing.com/gear/how-tight-climbing-rock-shoes-fit/ Tue, 26 Dec 2023 13:00:05 +0000 https://www.climbing.com/?p=90213 How Tight Should Your Climbing Shoes Fit?

It's tempting to fit your shoes too tight, but easy to size them too large. Here's our advice for getting it just right.

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How Tight Should Your Climbing Shoes Fit?

One of your most critical climbing decisions is determining how tight your rock climbing shoes should be. Like your belayer, your shoes are your bond to the rock and thus life itself. Get it right and you’ll discover eternal bliss and solid performance. Get it wrong (i.e., fit your shoes too tight), and you’ll burn in a hell of pain relieved only when you replace said shoes with a pair that actually fits.

This begs the question: Just how tight should you fit rock shoes?

Watch long-time Climbing contributor Matt Samet talk through the ideal fit with four pairs of climbing shoes, including lace, Velcro, and slippers


Eons ago, when climbing shoes were constructed to fit like dress shoes complete with pointed toes, you had to size shoes as tight as torture devices to get them to seal around your feet with no wiggle room. After a season or two, those shoes did start to shape themselves to your feet. But breaking in climbing shoes was never an enjoyable process and footwork suffered. As John Bachar once said, “You can’t have good footwork if your feet hurt.”

Bachar and other shoe designers such as Heinz Mariacher played crucial roles in scrapping the shoe shapes of old and building rock shoes shaped more like your feet. Consequently, today’s many hundreds of models are more anatomically correct. Shoes now come in so many shapes that it’s possible for you to get a pair that seems custom-made just for you. But those shoes still need to fit tight.

Choosing the right climbing shoe size

My hunch is that many old-schoolers like me still buy shoes that are too small out of habit. Meanwhile, many climbers could go up a half size without sacrificing performance. I don’t think I’ve ever fallen because of my shoes, but more than once, I have ended a climbing day because my feet hurt.

Related: How to Choose, Fit, and Break In Rock Shoes

Wouldn’t it be nice if we could have a golden rule: Size climbing shoes a size smaller than your street shoes? Unfortunately, that isn’t possible. Different shoe brands use different sizing—a size nine in model X might equate to a size 10 in model Y. Plus, your street shoes might be a bit too large or too small. And which pair of street shoes are we talking about anyway? Then, throw in the complication of width: Are your feet narrow as ninja blades or wide as ping-pong paddles?

EBs (left), the standard wear in the 1970 and early 1980s, weren’t shaped for rock climbing; they were a build on men’s dress-shoe lasts. You had to fit them painfully tight to get them to work. Modern shoes (right) are shaped more like human feet, letting you size a bit more on the comfortable side.

How to try on climbing shoes for size

In the absence of a golden rule for identifying your climbing shoe size, you generally must try on climbing shoes to find a perfect fit. Start the process by selecting a pair that is close to your street shoe size. How do those feel? I’ll wager that those shoes are comfortable and too large. Step down half a size and see how that goes. Keep going down until you can barely get your feet in the shoes—this is an indication that a shoe size is too small. Now go back up half a size, then another half size if necessary.

A new pair of rock shoes should feel like a tight pair of driving gloves. It’s okay if they’re a bit uncomfortable. In the context of climbing shoes, the definition of “uncomfortable” is subjective, since comfort and pain thresholds vary. One thing is for sure: If you can walk around in those shoes and not feel any discomfort, then they are too large.

A DIY Shoe Hack: Unbearable Rock-Shoe Pressure? Try This Slice-And-Dice Hack

If you can’t find a size in a certain model that fits, try a model with a different shape. The shoe for you is out there, you just haave to keep trying.

More climbing shoe fit considerations

Bear in mind that all shoes will stretch. Leather shoes stretch more than synthetic pairs. Unlined shoes stretch more than lined ones. Unlined leather rock shoes stretch the most. I’ve had them stretch a full size or more, so I fit these types painfully tight. Unlined leather stretches quickly, so you’ll only need to suffer in the shoes for one or two outings (or wear them at home to stretch them.)

The rand also affects sizing, fit, and stretch. Some rands are tensioned like slingshots to compress your feet. A compressed foot has more power than a relaxed foot, which is why a tight shoe feels more powerful and precise than a looser one. Tightness equals compression. Slingshot randed shoes still stretch, but will rebound when you take them off. They also won’t stretch as much as shoes with more relaxed rands. Thus, rands represent yet another variable to work into the fit equation.

A shoe’s support or lack of support also impacts fit and sizing. You can fit stiff shoes a bit larger than soft slipper-like shoes. That’s because the built-in stiffness—often called “board lasting”—provides support, rather than the shoe squeezing your feet. The softest shoes should fit nearly skin-tight in contrast because they rely on squeezing your feet to deliver support.

The hazards of too-tight climbing shoes

You may be tempted to fit your shoes too tight. Don’t! If you wince when you pull on your shoes, then they are too snug. Pain isn’t the only issue here. Too-tight shoes can cause joint damage to your feet over time. As one example, rock shoes can cause Hallux Rigidus. a form of degenerative arthritis in the big-toe joint. I know this first-hand. I developed Hallux Rigidus about 20 years into my climbing career, yet continued wearing shoes that were too small. Performance mattered more than anything … who cares about problems down the road? Eventually, my toe joints deteriorated to the point where I had to have the joints removed and replaced with synthetic ones. Let’s not let the same happen to your happy feet.

Ultimately, you will probably need at least two pairs of climbing shoes. A comfortable, larger pair you can warm up in and wear to send your dialed lines again and again. You can also wear these comfortable shoes on longer multi-pitch routes. You’ll also want a much tighter, more precise pair for redpoint or flash attempts and bouldering. You’ll only want to wear this tighter pair for shorter periods of time when top performance is your priority.

If my advice seems squishy, it is. I can’t tell you exactly how tight your shoes should be, because I literally can’t walk—or climb—a mile in your shoes. But I can say with certainty that you need to get the sizing right.

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The Best 5.8 Multipitch I’ve Ever Done https://www.climbing.com/travel/the-best-5-8-multipitch-ive-ever-done/ Thu, 30 Nov 2023 18:45:47 +0000 https://www.climbing.com/?p=102653 The Best 5.8 Multipitch I've Ever Done

The four-pitch line on Looking Glass Rock in western North Carolina is a masterpiece of route finding, knitting together a confusion of “eyebrows”—horizontal pockets that flair in all directions.

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The Best 5.8 Multipitch I've Ever Done

Twenty feet out from gear. Correction, make that 20 feet above the ground. My hands noodled around inside the slit of an “eyebrow” for anything positive. Finding a slot to gobble up a cam and keep me off the deck would have been even better, but I would have had better luck getting pro inside a fishbowl.

My feet were slipping, and every few seconds I had to paddle them back into place. I chuffed the rubber soles against the rock to warm them, make them stickier—an old trick—but that only made them even slippier.

5.5, I thought. People ride bikes down 5.5, how can this be 5.5? 

I looked up at the wall slabbing out and then bending upward where it got steeper. The dark rock and the way it layered with grey reminded me of a hornet’s nest. As far as I could see I couldn’t make out any feature that jived with the route description. Has this route even been climbed?

I lurched to another eyebrow, both hands slapping into it, sliding almost all the way out until latching on a dimple. Whew.

“You sure this is the route?” Michael Levy asked. He was paying rope through a Grigri, but unless he had the magic powers of snake charmer, the belay was only wishful thinking.

“Maybe we should try another way?”

Shakily, I reversed to the ground.

We consulted the Mountain Project route description. 

From the end of the approach trail, head a little to the left and look for the pale right-angling ramp on the second pitch, it read.

 “I don’t see a ramp, do you?”

“How far is ‘a little?’”

***

You’d create less of a fuss by proclaiming one particular religion superior to all others than you would by saying that one climb is The Best. But The Nose on Looking Glass Rock arguably is the best of its grade and length in the country. Certainly, it is the finest multi-pitch 5.8 I’ve ever done (despite my inauspicious start).

The four-pitch line on Looking Glass Rock in western North Carolina is a masterpiece of route finding, knitting together a confusion of “eyebrows”—horizontal pockets that flair in all directions and often aren’t good in any. The Nose, like the longer route in The Valley for which it was named after, is the rock’s king line with obvious appeal despite the route itself not being especially obvious.

The first ascent was in 1966, by Steve Longenecker, Bob Watts and Robert John Gillespie, natives to the area at the time. Fifty seven years ago no one had yet set foot on the moon. Cell phones, email, social media, and everything else that has us all in the same box were the imaginary stuff of Star Trek.  

Flexible, flat-soled kletterschues were available back then for about $9, but Longenecker had heard that Vibram’s deep lug soles gripped better on rock. “We couldn’t imagine climbing in thin-soled shoes,” says Longenecker, “doing so seemed stupid.”

Longenecker’s ancient gear, now displayed at the Carolina Climbing Museum in Black Dome. (Photo: Duane Raleigh)

So, shod in high-top Lowa hiking boots, and with fiberglass motorcycle helmets perched atop their heads, the trio started up what promised to be the first technical rock climb on Looking Glass, a route that today sees hundreds of ascents a year and has a line of ticket holders at the base on any fair-weather day.

***

The granite monolith of “The Glass” rises like a bread loaf—or a pirate looking glass if you’ve been drinking—some 500 feet from the Appalachian jungle of rhododendron, oak, mountain laurel, locust, and spruce, in western North Carolina’s Transylvania county, one of this country’s wettest regions boasting enough annual rain to fill a swimming pool six feet deep. The closest town is Bevard, 12 miles southeast, known for its population of white squirrels, said to be the byproducts of escaped circus rodents. Forty miles north at the crossroads of I-26 and I-40 sits Asheville, where Longenecker lives, in the shadow of Mount Mitchell, the highest peak east of the Mississippi, taller even than Mount Katahdin in Maine and Mount Washington in New Hampshire. 

When my wife Lisa and I moved to western North Carolina two years ago, I was first surprised that there were mountains, then was surprised by their scale. Not as big as the peaks we left behind in Colorado, but the mountains of North Carolina are still sizeable and the living among them are actually steeper. Biking, hiking or driving you seem to always be going up or down and the mountain roads are so crazy they could have been laid out by one of those space spiders that spins an erratic web in zero gravity. Another difference: while the Rockies are wide open such that you can get 50-mile vistas, in the Appalachia the hills are so tight you might as well be rolled up in a jute rug. 

Longenecker and team had previously made several excursions on Looking Glass’s vertical to overhanging north side but, “We weren’t good enough. Didn’t know what we were doing,” he says, “we made it up as we went along.”

Thwarted by the steep rock, they pushed along the base to its slabby west face. “Looking for the easiest way to get from the ground to the top.” 

It’s a little over two miles line-of-sight from the Blue Ridge Parkway, a 469 mile stretch of blacktop that rollercoasters along the backbone of the Appalachians, to Looking Glass Rock. With binoculars, Longenecker, Watts and Gillespie got on a Parkway vantage point and scoped Looking Glass, looking for a way up the wall. 

When it rained, “We’d watch to see where the rain flowed, and anytime you saw a break we knew that was an overhang,” says Longenecker. “The rain on The Nose went down all the way from the top unbroken, so we knew it didn’t have any overhangs.”

Finally, they buzzed the formation in a small airplane and that settled it—The Nose definitely offered the least resistance of any line they could see.

On December 17, “a stupid time to start, the shortest day of the year was just a few days away,” and with snow on the ground, they started up. 

***

Michael Levy and I had heard that even today The Nose can be challenging. Last winter we, both former editors at Rock and Ice, and, later, Climbing, figured that we’d see for ourselves. Over generous pours of wine the evening before we entertained ourselves with how we’d dispatch The Nose, and then knock off several other lines before our Thermos of coffee had time to go cold.

Levy was down from New York City, where he was in a masters in journalism program at NYU, and was currently on assignment for Outside, researching a feature he’d write about the free soloist Austin Howell, who had died in a fall in Lineville Gorge about 100 miles north of Looking Glass.  

We got off to a messy start right out of the car. First we walked a hundred yards down a beaten-in trail to have it peeter out at a muddy crossing where footprints said we weren’t the only suckers. Another trail also went nowhere. In an ah-hah moment we located the log steps that mark the start of the real trail just a few feet right of the car. It seems the greenery—this part of the state is a temperate rainforest—hides everything. The tangle can be such that you can’t get a geographical fix on anything. In fact, you can’t see Looking Glass at all until you are standing at its base, and then it comes as a shock emerging from the woods like that, as unexpected as finding a gold coin in your backyard. 

Levy and I chugged up the trail anxious to beat the crowds we had imagined would inconvenience us if we weren’t first to tie in. 

The author charges down the trail after a few inadvertent detours. (Photo: Michael Levy)

At the base of the dark rock a stiff wind swept the face and the ground, frozen solid, wore a cloak of ice unnoticeable until you stepped on it.

If we had been vexed by the start of the trail, we were stymied by the start of The Nose.

Lacking any bolts or fixed gear as landmarks, and with any chalk washed off by frequent storms, The Nose could really start anywhere. The rock, the eyebrow features and the angles all look about the same. Finding the correct line on that wall … well you’d have better luck tracking a cloud in the sky.

I cinched down my shoes and headed up where the eyebrows seemed the most promising, meaning the largest and most frequent. 

That false start led to another, but we took solace in knowing that we weren’t the first—and won’t be the last—climbers to muddle around on the first pitch, or what we thought was the first pitch of The Nose.

“The guidebook says 5.5,” Longenecker had said during an interview for this article. “Some guys from Alabama, some place where there’s a lot of slots for your hands and feet, they started up that pitch and they said, ‘You can’t climb this, this is not 5.5!’ They’d come all the way from Alabama, made it maybe 30 feet and that was enough for them!”

Michael and I piled the rope and rack on the ground and scrambled over to the North Side to inspect what must be the Astroman of the Southeast, The Glass Menagerie. While the west side of Looking Glass, where you find The Nose, is a slab, the North Face is intimidatingly overhung. The Glass Menagerie is seven vertiginous pitches that top out at 5.13. If The Nose is one of our best 5.8s, then The Glass Menagerie is one of the best 5.13s, at least by the looks of it. 

Back at the base of The Nose, the rock now basked in the mid-morning sun. Prime conditions, although we were still the only humans on all of Looking Glass.

The author way up there, a speck on a wave of rock. (Photo: Michael Levy)

***

A weave of vines hung low from the tree canopy, thumping the top of my pickup cab like wooden knuckles as I jounced up wet ruts to Steve Longenecker’s house. Though his white clapboard home is just minutes from Asheville’s groovy downtown—summer nights you can see a musician balancing on a wobbleboard with a monkey dancing on his head—the place felt rural, smothered in trees. At a chokepoint on the driveway a makeshift guardrail of two-by-fours warned of a drop off. A dampness lingered and, autumn now, most leaves were down on the hillside painting it a deep auburn. 

“I don’t get many visitors,” said Longenecker, striding over after hearing me pull up. “Don’t like anyone here unless I know. Glad you called, gave me a chance to run the sweeper.”

Outside were two wire boxes about six feet high that looked a lot like shark cages. 

“Parrot cages,” said Longenecker. 

Inside one was Joplin, a red-tailed hawk; the other housed an Eastern screech owl, Gizzie, both here on a U.S. Fish and Wildlife Special Educational Permit.

We walked downhill along two iron pipe handrails that had been installed when Longenecker injured his knee. Longenecker, thin like a climber and with wireframes that slide down his nose, moved carefully over the slick ground. The 84-year old has been here since 1976, an affirmed bachelor—“I met a few girls that were interesting, but they were taken”—who saw Asheville, a former industrial center bisected by the French Broad River, rise, fall and then rise fairly recently as an arts, music and brew center that some people dub AsheBoulder.

I’d heard that Longenecker slept adjacent to deadly snakes and I can confirm that. About an ape index away from the old sofa he crashes on in the living room were three copperheads and a timber rattlesnake. 

Steve Longenecker (pictured), with Bob Watts and Robert John Gillespie, made the first ascent of The Nose on Looking Glass in 1966.(Photo: Duane Raleigh)

“People tell me I should get rid of the snakes, too dangerous.”

Longenecker lifted the screen lid off one cage with Big Kenny (the rattler) and two of the copperheads.

“I have to be careful here,” said Longenecker. “This could be unpleasant for me if I screw up.”

The three snakes twined together, one body, three heads. A real Medusa. 

Longenecker’s house was a miasma of animal things, animals, exercise equipment including bicycles, magazines, books on animals and climbing and one titled “How Doctors Think,” and a desktop computer.

Prior to COVID Longenecker, an environmental educator, hauled the snakes around in a pillowcase, introducing them to school children, instructing them about the natural world. When he had birds, he’d take those, too. Before that he was an elementary school science teacher beginning in 1961. Throughout he worked at outdoor camps, where he was introduced to climbing. 

During a stint at Camp Mondamin in Western North Carolina in 1964 Longenecker connected with The Two Bobs, Robert Gillespie and Bob Watts, and Bill “Wally” Wallace who taught rappelling.

We learned how to go down the side of a cliff but had no idea how to climb, belay, put in protection, or find routes,” wrote Longenecker in First Ascent of the Nose.

Eventually, Longenecker found a climbing school in the Tetons where he learned climbing’s fundamentals. Back in North Carolina he and the Bobs practiced holding falls on hip belays. I held a fall on a hip belay once and still have the rope-burn scar across my lower back. Holding falls that way for practice? No thanks.

Before he became a climber, Longenecker was invited on a hike to Rattlesnake Rock, “because I was a snake person. …Wasn’t a climber at that time, I didn’t care a thing about climbing, I was afraid to climb up in a tree.”

Big Kenny (the rattler) and two of the copperheads. (Photo: Duane Raleigh)

The search netting only a garter snake, but Longenecker did get his first look at Looking Glass. He was 19.

Four years later Longenecker ventured to the base of Looking Glass with The Bobs and began their efforts to climb to the top.

When I arrived Longenecker had Honey, a one-year old shelter dog with the speckled markings of an English Pointer, secured in a dog carrier. Now, Longenecker unfastened the cage door. Honey sprang about as if loosed from a bow, paws sliding down my nylon jacket.

“No, no, Honey, down,” said Longenecker. “Tell her No, she shouldn’t jump on you like that.”

Once Honey had supplicated, Longenecker broke a gingersnap in two and put a half on each front paw. Honey didn’t move.

“Ok,” said Longenecker, and Honey chomped down the cookies. 

Before the visit was over Longenecker would share a half dozen gingersnaps from a plastic tub, carrots dipped in peanut butter and a chew toy slathered with peanut butter, with Honey. 

“Tea?”

Why yes, I prefer tea, I said. 

Longenecker boiled water in a blacked aluminum camp pot. He rustled around in the cupboard with doors shingled in curled photos, yellowed newspaper clippings, and postcards and produced a cup for me. He took his tea in a mug with a big chunk broken out of the rim like a missing tooth. We sweetened the tea with a dark local honey so viscous we had to use a spoon to dig it out.

The room was silent as we sipped.

“Gingersnaps?” he asked, offering a plastic tub of them.

Our conversation turned back to The Nose. Did he think back then that the climb would be as popular as it is? 

He laughed. “As far as we knew, we were the only human beings out climbing,” he said. And as far as he knew, no other climbers outside their group of three had heard of the ascent at the time, unless they read the local paper which had carried the headline, “9 Grueling hours,” for a report about the ascent, an achievement that no doubt went right over the heads of every reader.

***

On my third go at The Nose, I took a line a bit left where the holds seemed a lighter color, worn down I imagined by all the supposed traffic the route gets.

The climbing there did feel easier, the warmed rock was grippier. I chugged past 20 feet, fiddled in a small offset, and punched upward.

I grew up climbing slabs and learned that smearing requires a faith of a religious magnitude. If you can believe in a God then you can believe your feet will stick to non holds, and the two aren’t mutually exclusive when your last gear feels like a memory. 

I was surprised, pleasantly, that the first pitch, while necky compared to sport climbs, has reasonable pro. The corners of some eyebrows pinch down just enough to take solid offset cams. Also surprisingly, since from the ground the eyebrows look like they will swallow large cams, the gear is small, typically under an inch. Climbers familiar with the subtleties of the eyebrows might find holds and gear at will. Neophytes will essentially be driving with eyes closed.

I arrived at the belay about 100 feet up, a stance and two bolts. 

Another thing about slabs: when you follow a pitch you wonder why the leader had fussed about so much. What took so long? Michael followed the first pitch, snatching cams from the eyebrows, taking just moments, and arrived keen for P2, the crux according to online sources.

The hardest set of moves on the route is right off the belay that begins the second pitch. This bit of 5.8 is protected by a fixed pin hammered into a slit of an eyebrow. This bit of iron—“not my piton,” said Longenecker, “I’m too cheap to leave anything,” is the leader’s only fixed gear in four pitches. The fixed pin was noted in the route beta, affirming that we were on route, as until then we hadn’t been certain.

The crux is a long reach to a sloping side pull and a high step that feels like you’re trying to put your foot in your own pants’ pocket.

Michael sorted out the moves and took off along an angling ramp.  

Longenecker first climbed this stretch in those stiff mountain boots, and the ramp was one of the trickier bits on the route, saying that tiptoeing along it in those boots, his hands palming the rock, was as precarious as carrying a big sheet of window glass.

“That was pretty scary,” he says, “that part means a lot to me.”

When it was my turn I unclipped from the overhead pin, traversed onto a lesser angled but more holdless bit of stone, and ran up it, trusting everything to rubber on rock and momentum, a technique best reserved for toprope. 

***

The winter day was waning when Longenecker arrived at the third pitch in 1966. He led off, and was stuck on another high step only to be told from below that “We don’t have all night to do this.” 

He hammered in a pin, hooked a pinky through the eye and pulled up, the route’s only point of aid and eliminated when Longenecker returned and reclimbed the route about a year later. After that, he and friends returned and climbed The Nose numerous times, then added the harder line Peregrine (5.9) to the right. 

Levy led that third pitch, easier feeling than the second, but it’s probably about the same—after 300 feet of eyebrows you warm up to the peculiar brand of movement.

At the end of the pitch, Levy flopped down onto an expansive ledge, “The Parking Lot,” so named because it is large enough for cars. From here you can walk off left and up, but the route proper goes up a final pitch with a vexing number of eyebrows. It looks intimidating, but you can’t go wrong here. The gear is plentiful and unlike lower on the wall, most of the eyebrows have a flat spot somewhere inside.

Longenecker and The Bobs topped out late day and raced down from the summit on the three mile Looking Glass Trail back down to Headwaters Road where a friend with a VW waited to drive them back to their car. The car was too cramped for the four of them and gear, so they stashed the rope and rack in the bushes.

To their dismay, when they returned for the gear, it was gone. Stolen. “Someone must have been watching us from the bushes,” says Longenecker. “We went to the police, forest service, sheriff. We had pretty much all the rock climbing gear that existed in North Carolina, and it was stolen. The guys who took it had no idea what it was.”

Somehow, the purloined gear did eventually resurface. You can see it for yourself, along with the  Goldline rope they used at the Carolina Climbing Museum in Black Dome on Tunnel Road in Asheville. 

***

The afternoon was bright when Levy and I topped out The Nose. The humidity that had magnified the cold had even abated and we were comfortable in just short sleeves. A couple of miles out we could discern the cut of the Blue Ridge Parkway. Somewhere along there was the spot where Longenecker and The Bobs had first glassed this rock. Since then, thousands of hands and boots have caressed its holds, an unimaginable scenario in 1966 when you could count all the climbers within a six-hour radius on both hands. 

We kicked off our shoes, straightened the rope for the rappels, readied ourselves for the descent. 

We had left the house with ambitious plans, but now time had gotten too short to consider more routes. We would have to content ourselves with just this one. Good thing it was one of the best.

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The Road to Becoming a Yosemite Climber https://www.climbing.com/culture-climbing/the-road-to-becoming-a-yosemite-climber/ Wed, 06 Sep 2023 18:17:25 +0000 https://www.climbing.com/?p=101012 The Road to Becoming a Yosemite Climber

We grouped up in various vehicles and drove straight from Oklahoma to Yosemite, pulled there by the unseeable promise of a salvation only the rock can lay on you. 

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The Road to Becoming a Yosemite Climber

I was riding shotgun with Jon Frank at the wheel heading east past Barstow in 1981. I’d drifted into a slumber from the hot Mojave wind drumming through the open window of the ’71 Volkswagen beetle, when I thought I heard something—a dry grinding, like a coffee mill without beans.

***

We had summered  in the Valley, climbing as many routes as we could get up, gems chronicled in George Meyer’s Yosemite Climber, the book, bible really, that revolutionized climbing photography and even climbing itself. When we first cracked that book open and gazed upon Dave Diegelman suspended under the horizontal roof of Separate Reality, one taped hand wrestled in the crack and the other yarding slack to clip a nut, well that was it. Our small circle of single-minded climbers included Mark Herndon, who would become one of BASE jumping’s early protagonists and who now spends nights staring through lenses at distant stars, and Jimmy Ratzlaff, all 6-foot-2 of him and who would later become a preacher on the Front Range. And Sam Audrain, the coolest of the lot who attracted ladies like filings to a magnet. It was good just to be around him.

We grouped up in various vehicles and drove straight from Oklahoma to Yosemite, pulled there by the unseeable promise of a salvation only the rock can lay on you. 

Camp 4, site 23, was a patch of dust and pine needles and with a leaning picnic table decorated with initials and names and years. The site smelled of old camp smoke, sap, and something worse when the breeze across the nearby restrooms was unfavorable. We pitched tent and in the days that followed worked our way through the book. It was a point of pride, or personal growth, when we got in the same positions on the same routes as in Yosemite Climber. Sometimes I’d pause on an especially satisfying move and let the vibes really vibrate in.

The book Yosemite Climber revolutionized climbing photography, and even climbing itself by revealing a new style of bold adventure climbing.

In pencil in the book margins I noted what we’d done in case I’d later forget. You could never forget Outer Limits, Wheat Thin, 10.96, Bircheff-Williams, The Good Book … but it would take me a lifetime to realize that.

Back in June, before we’d gone off to Yosemite Jon and I had purchased a car, a red VW beetle. It was already dented and a decade old, but its $250 price tag fit our pocketbook if we split it 50/50.

The bug ran smooth enough, and we had no reason to question its mechanics. We just had to top off the oil and never let the 60 horsepower air-cooled engine get too hot, which meant governing the speed to no more than 55 mph—coincidentally the national speed limit that year. We also needed to take care and keep the rpms to a minimum on the 4-speed. Don’t ever let the tach needle get in the red.

I’ve ridden lawn mowers with more zip than that bug, but it delivered us to Yosemite and puttered us around there, out to the Cookie and back. We were always mindful of the oil and rpms and tried to always park it nosed downhill in case the battery died and we had to roll start it. In August we had to head home and to school. Jon and I planned to drive straight through, day and night, swapping out the wheel while the other of us tried to recuperate. I’ve never ridden in a WWII sub, but I imagine it was a bit like being in that bug: tight, hot, loud, smelled of oil and gas and burning belts.

The trunk in the front of the bug swallowed our bulging haul bags of climbing gear: rigid-stemmed Friends, nuts, several hundred carabiners, enough iron to anchor a small ship, ropes, a portaledge. The back seat was jammed up with camping gear and clothing, canned goods and a couple of jugs of water we’d swig in the summer in a car without any air. If we hadn’t been so skinny there wouldn’t have been enough room for us in the car.

An annotated page from Yosemite Climber, of John Yablonsky reefing along the precarious flake of ‘Wheat T.’

***

The rattle woke me. At first a distant sound I couldn’t understand. Slowly it came into clarity, and I woke from my heat-drunk sleep. I checked our speed. 55, good. No oil light on. Good. Then what?

The noise seemed to come from our car, but maybe it was from outside and was being thrown our way like how a ventriloquist messes with you. 

But there was nothing outside but brush and the blazing sun.

I looked again at the instruments. The tach needle was in the red, laying all the way over as if it had fallen and couldn’t get up. 

“How long have you been in third gear on I-40?”  I asked Jon.

“What, there’s four gears?” he replied.

Jon slid the stick into fourth and the engine calmed like a baby on a bottle.

I pushed my feet against the floorboards to stretch, and was nodding off again when the engine threw a screen of thick smoke down the interstate. All the dash warning lights blinked on. Jon coasted to the shoulder as traffic braked and swerved, blinded by the greasy smoke.

The car was done, that was sure. It wouldn’t turn over, and once the cloud had cleared and the threat of an explosion seemed to pass, we popped the hood. The little German engine looked as if it had gone through a re-entry.

Getting a tow to a repair shop was beyond our means. Between the two of us we’d left the Valley with just enough cash for gas, maybe a bit extra for cold drinks if we got a tailwind to improve mileage. 

“What’s next?” we asked each other.

“We’ll have to hitch home.”

We were 1,215 miles from home and the odds of anyone picking us up, two guys with a heap of bags, were slim.

Jon and I took turns thumbing on the shoulder as interstate traffic blasted us with waves of heat and fumes. To improve our odds, the one of us who didn’t have his thumb up hid in the tall weeds—a car is more likely to stop for one than two, especially if those two looked liked they’d escaped from incarceration. 

Standing on the asphalt in the Mojave desert in summer was only slightly cooler than walking on coals, but we had food and water for several days and were used to some heat on Yosemite’s glorious walls, plus we were used to Oklahoma’s summer hellscape.

No one stopped for us the first day, and as the sun dipped behind the shimmering horizon we humped our pads and bags about 100 feet from the bug and laid down in a depression, hidden from the road in case a Ted Bundy sort happened by.

No one stopped the second day, either, and as our water ran low—Barstow recorded 110 degrees for three consecutive days, the hottest of the year—our youthful unconcern began to waver.

That evening, as the blacktop popped and cooled, a red convertible pulled up behind our bug. The ride’s top was down revealing a white interior and an even more revealing blonde in a low-cut top, eyes shaded by a pair of large sunglasses. Jon dropped his thumb and dashed over.

Jon is one of the most naturally powerful climbers I’ve known. With an upper body like a front-end loader and sandy blonde hair to his shoulders, he looked like he belonged in SoCal, and in fact that’s where he eventually went. 

“I saw you here yesterday,” said the woman, “and I said to myself that if you were still here the next day I’d pick you up.”

Hearing this I rose from the bushes.

“Oh, there’s two of you,” said the blonde. “You boys grab your stuff.”

This is our lucky day, I thought. Absolutely. I gave Jon the thumbs up, and grabbed the straps on our haulbags.

“No thanks, mam,” Jon said practically immediately. “We won’t be needing a ride, we’re good right here. Appreciate it, though.”

Jon was and remains a solid Christian. Getting a ride in these circumstances with an opposite member wasn’t in his Psalms. About a year earlier we had been riding in his land shark cruiser, an old Oldsmobile type with a truck so large Jon slept in it, when Sympathy For The Devil by the Stones began playing on the 8-track. “Please allow me to introduce myself …”

“Noo!” Jon had screamed before ejecting the tape and throwing it out the window.

The situation we were in now was a similar evil.

“You sure about the ride?” asked the woman.

Jon was sure. We settled back into the brush for another night in the hard desert. 

Propped up on our haulbags, we gazed at the distant glow of Barstow.

“Imagine,” said Jon, “if we ever do get a ride we can’t just leave the car here, can we?”

“Let’s burn it,” I said. “We’ll strip off the plates and VIN so it can’t be traced to us, then put a rag in the tank and light it.

We had just finished unbolting the plates and popping the VIN off with a knife when a highway patrol stopped. We scurried into the brush. Did he see us? At this point we couldn’t ask for help—how would we explain the missing tag and VIN?

The patrolman put his spotlight on the bug, then his radio cackled and he sped off.

“We can burn it in the morning,” I said to Jon.

The third day was another scorcher, and we again resumed duty trading shifts on the shoulder. 

“How long do you think we can do this?”

“Until we become skeletons.”

About 5:30 that evening a pickup stopped.

“You want to sell your VW? I restore old bugs,” said the driver.

When he offered us $150 Jon must have thought an angel had descended. I even almost thought so. The money was just enough for bus tickets home, and we still had wall food so chow wouldn’t be an issue.

“I’ll be back in the morning with the money, and I’ll give you guys a lift to Barstow.”

We hopped in his truck the next morning. In Barstow, we wrestled our haulbags into the belly of a Greyhound, then settled in with the rest of the flotsam for the 30-hour ride home.

The bus station in Weatherford, Oklahoma, was about a mile and a half from my parent’s house. It was even hotter there than in the Mojave, and a stiff wind bent the trees to the north as if to point to more hospitable lands.

I was too beat to carry my bags any distance, and shuffled over to a payphone outside the depot. 

I hadn’t talked to my parents in nearly three months, ever since Jon and I pulled out of the driveway in that bug. I’d sent a postcard, something like “Yosemite is great,” but that was the extent of communication and that’s how it was done back then. You left and came back and the middle was just details.

In the 1800s some of my dad’s ancestral clan left Kentucky, going west for new promises. The Kentucky Raleighs never heard from the “went-west Raleighs” again until just a few years ago when my dad looked them up in Breathitt County, Kentucky, a county infamous for blood feuds, and contacted them.

“We thought y’all had been killed by Indians,” they said, “good to hear from you in any case.”

Not that much had changed in the family concerning verbiage when I called home for a ride.

“Hi Mom, can you pick me up, I’m at the bus station here in town.”

“We’re having lunch. I’ll be down once your Dad’s done eating,” said Mom.

“Thanks,” I said, “and can you bring a dime, I had to borrow one for the phone.”

I dragged my bags into the shade, found a spot out of the wind, sat on them, and waited.

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I Was Free Falling 500 Feet. Then Something Strange Happened https://www.climbing.com/culture-climbing/i-was-free-falling-500-feet-then-something-strange-happened/ Wed, 26 Jul 2023 07:02:21 +0000 https://www.climbing.com/?p=100106 I Was Free Falling 500 Feet. Then Something Strange Happened

I think about that fall nearly every day, and wonder if it had had to happen that way. The experience was one of many that have since made me reflect on the “things” going on around us, unseen and unknown.

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I Was Free Falling 500 Feet. Then Something Strange Happened

Josep E. Castellnou is a rabbit doctor in Spain, where rabbit is the third most raised meat species, taking a chair behind pork and beef. From his home in Tivissa, south of Barcelona, Josep drives across Catalonia literally keeping his finger on the pulse of the rabbit industry, administering vaccinations against fevers and viruses that strike suddenly and wipe out entire bunny populations. 

Josep is also author of Montserrat Rock Climbs, and thus is one of those peculiar brands of the upwardly mobile who seeks smarmy cobbles and tingling runouts off bolts so ancient they qualify as holy relics. 

I met Josep years back at the John Long writing symposium, a hands-on clinic we used to host once a year at the Rock and Ice headquarters in Carbondale, Colorado. Despite English being his third or fourth language, Joseph was adroit with a pen, polishing off a feature about his formative years when he made the mistake of climbing the North Face of Monte Pelmo with Armand, “lean as rawhide and the most accomplished and best all-terrain climber in the Barcelona area,” and who could climb with “the ease of a fish swimming up a creek.”

Castellnou yanking cobbles about midway up El Cavall Bernat, the largest tower in the Montserrat area near Barcelona, Spain.

Josep had, probably rightly, figured that Armand knew the lay of the land, but when sussing the route Armand had neglected to look on the reverse side of the topo page, thus the 12-hour route they had thought they signed up for was in reality a 27-hour route.

[Read the story here: The Epic Of Epics—The Topo Has Two Pages? You Forgot The Headlamp?]

It took Josep 30 years to relive the ordeal on paper, and after the writing symposium concluded he invited me to visit and climb on the glorious stone of his beloved Montserrat, in particular El Cavall Bernat (Bernard The Horse), a seven-pitch tower so beloved that, once you undergo the baptism by balancing atop the head of Mare de Déu de Montserrat, or the Virgin of Montserrat,  a steel statue bolted to the Bernard’s summit, you are incorporated into Grup Cavall Bernat, an enthusiastic club several hundred strong with the aim of keep climbing’s “romantic flame” burning. They meet often in the local watering hole, sipping refreshments and reliving untold near-death experiences. Royal Robbins was a member.

The imposing El Cavall Bernat rises nearly 1,000 feet but goes at a surprising 5.9/5.10.
Castellnou atop the Virgin of Montserrat, a steel work bolted atop El Cavall Bernat.

About two years later my wife, our two daughters and I arrived in Tissiva where we were to eat tapas with Josep. He’d give us the scoop on the climbing and help us select the tastiest menu options. 

It was on that trip that I was reminded of the “things” going on around us, unseen and unknown.

The sun set over the ancient town as the Raleigh clan drifted along the cobblestones awaiting Josep to wrap up his medical work with the rabbits.

We saw him, about a block away and backlit by streetlights. We hastened toward each other, having not seen each since the symposium, but a few paces apart stopped cold. 

Something was oddly wrong with this picture.

Josep was dressed in a black Adidas T-shirt with a mustard and gray jacket over it. Black pants.

I was dressed in a black Adidas T-shirt with a mustard and gray jacket over it. Black pants. (See photo.)

The author and Josep Castellnou south of Barcelona … they hadn’t planned to dress the same, but did. Coincidence? Fate? Part of the Simulated Game we are all playing but don’t know it?

“Woah,” said my wife Lisa.

“Weird,” said the girls.

Josep was speechless.

“Did you two coordinate outfits?” asked Lisa.

We hadn’t. In fact, I’d dressed as I always do, randomly with whatever is in easy reach. 

No one could explain the nearly identical outfits. 

And that gets me to my point: There are forces that pull us along and mold us and open and close doors. When we experience a glimpse of this power, such as Josep and I did that evening, we chalk it up to coincidence or fate, but what’s really going on?

Still weird.

***

In my 63 years I’ve had enough of these moments for me to wonder about reality. How many times have you been thinking of someone, then moments later have them call you? Or a song pops into your head and starts playing on the radio. This spring I was passing through Jacksonville, Florida, late at night. I cranked the radio to stay awake and just as I hit the city limit The South’s Gonna Do It Again started playing with the lyrics “When ol’ Lynyrd Skynrd’s pickin’ down in Jacksonville.”

Weird, right? Five minutes sooner or later and that song wouldn’t have synced with that city.

Some people believe we are living in a simulation. The “Simulation Theory” explains the universe in a more graspable package than religion. What’s the difference between the idea that we are all identities in a simulation versus creatures created by God, or Gods?

In 2016, before Twitter and before he went off the rails, Elon Musk said there’s a “billion to one chance” we’re living in base reality, or a physical universe. He notes that 40 years ago we had the arcade game Pong—two rectangles and a dot. “Now, we have photorealistic, 3D simulations with millions of people playing simultaneously and it’s getting better every year,” says Musk. “And soon we’ll have virtual reality, we’ll have augmented reality,” says Musk. “If you assume any rate of improvement at all, then the games will become indistinguishable from reality.”

One theory says that coincidence, deja vu, and even ghosts are the result of bugs or broken coding in the simulation. The Great Gamer got tired and left strings of old code in and it repeated itself or parts of itself, or the code broke and wasn’t yet fixed. And the more you believe that this is the case, or at least decide to become aware of it, the more incidences you’ll experience, or notice that you experience. 

In 1982 I was rolling down I-40 heading east to my home in Oklahoma after nearly a year in Yosemite and various other destinations. In the Valley, I climbed with my buddy Tom Cosgriff, who pulled in from Boulder. We climbed for about a month, then he had to head back to school in Boulder. I stayed on slumming it, and when the weather turned, went to Mammoth Lakes to shovel snow and chop wood at Tamarack Lodge.

I stayed in a derelict cabin with my buddy Walt Shipley. We hated the work and climbing was all we talked about. We especially talked about what looked like an ice route forming on a cliff that faced the main lodge. 

“It’s in,” Walt exclaimed one day, “we should go do it.”

It was a work day but we loaded our gear and went to the route anyway, and found that it was nothing more than loose snow on looser rock. Hiking back to our cabin to change and slink back off to work we bumped into our boss, the guy who managed the shovelers and wood choppers.

“Where you boys been?” he asked, “Looking for work?”

We didn’t care that we’d been fired on the spot, and actually saw it as an opportunity.

“See you in Joshua Tree,” Walt exclaimed, as he peeled out in his van.

We climbed at JT for several months before I’d had enough of onsight soloing with Walt, who only ever wanted to solo. I pointed my VW beetle east and headed home. Picking the day to leave and the time of it was random, but maybe not.

It’s 676 miles from JT to Albuquerque and takes about 10 hours in a reliable car. In a VW it takes about 14 hours. After an early morning start I hit the outskirts of Albuquerque at about 10:00 p.m. With nine hours to go I pulled into a McDonalds to get jacked on coffee and push on.

Groggy and wobbly after the long sting in the bug, I got out, pushed through the door at McDonalds and got in line.

I got in line, that is, right behind Tom Cosgriff. I hadn’t seen him or communicated with him since he left in late July seven months ago. He was driving from Boulder headed to Houston, and, like me, had stopped to java up.

The odds of the two of us being at that McDonalds at the exact same time are impossible. If we had planned to meet at that designated place at that designated time, some inevitable circumstance would have delayed or prevented one of us from being there. We couldn’t have planned it, but something, some other thing could have. Did it?

It would be a kick to write that meeting into a game, wouldn’t it? Let’s see how these simple human climbers react! And more fun still to dress me and Josep in the same clothes.

As implausible as these events seemed, they would happen exactly that way in the multiverse where there are infinite possibilities occurring simultaneously—we just happened to be in the game that played them out at that precise moment in time, whatever time really is.

***

The experiences I’ve noted so far I could excuse as coincidence—out of the nearly infinite moments in your life there should be a few encounters that seem impossible, out of the Twilight Zone. It would actually be impossible for you to live your entire life and never have a strange, unexplainable moment you can’t explain. 

Still … I do have a final example that was either a miracle (if you are religious) or clever coding in the Big Game Simulation we all have bit roles in. You decide.

In 1986 Arches National Park had just opened to rock climbing after being closed for over a decade. Arches is spiked with an abundance of sandstone towers, some reaching as high as 500 feet. Most everything was unclimbed back then, except for Dark Angel. Doug Robinson knocked that one off BITD, and I was eager to bag a few FAs myself.

I picked an obvious line on one of the first towers you see as you enter the park, and right off the parking lot. I would take a large right-facing dihedral to a roof, then an exit crack. Simple. The Organ is actually two twin towers that from a distance look like pipe organs, or fanned out hands. I would have called the formation Fanned Hands, but I arrived too late to get naming honors.

I rope soloed a five-pitch line, beginning early morning after coffee, and topping out just as the sun set and a big wind kicked up. I hadn’t brought a headlamp to save weight, thinking I’d be up and down long before nightfall. Not a big deal so far, I’d just have to be extra cautious.

I set up the first rappel in the dark, groping with the knots and device, and threading two 165-foot cords through a rap sling. I had with me a 9mm tagline, an extra rope for fixing if needed, and it hung loose, uncoiled, dangling its full length down the wall. The tagline was clipped to a gear sling that I’d sewn on Mom’s sewing machine using an old guitar strap and a bit of 1-inch webbing.

An updraft kept blowing the rap ropes over my head when I tried to toss them down. This wasn’t a new experience, but was and remains always annoying. I pulled up the wind-twisted mess of ropes back up, straightened them and carefully lowered the ends, a tedious process in the dark and in the wind.

With the rope ends finally down, I hoisted a fully loaded haulbag on my back, checked the anchor all good and leaned back to weight the rope and begin the first of four rappels.

Except when I leaned back the rope didn’t catch me. Too late I realized that I hadn’t clipped my rap device to the ropes. I pitched backwards into the night, hands snatching for the ropes but missing them.

It was 500 feet straight to the ground and I knew that in a few seconds I’d hit it and be dead. 

I fell upright about an arm’s length from the wall, my fingers grazing it. I still have that sensation in my fingertips.

I didn’t have time to prepare to die, just to wonder what it would be like. I fell past the tails of the ropes, a full 165 feet and kept going, picking up speed in the night air.

And just like that I impacted. 

It took a few moments for me to realize that I was still alive, and a bit longer still to figure out why, especially in the dark.

I groped around and felt a taut rope above me. That spare 9mm rope I’d clipped to my guitar-strap gear sling had, as I fell, trailed above me like a kite tail and thanks to the updraft it had kinked itself up, forming a sort of fist knot, and that knot had jammed in a crack and caught me. 

The impact had blown the sheath off the rope and in some places over half the core strands were gone. The oval carabiner the rope was clipped to was bent and the gate was sprung. Least damaged was that guitar strap from Mom’s sewing machine (I’m taking orders if you want me to sew a magic gear sling for you.)

Carefully, I snapped a pair of jumars onto that ruined rope and jugged up, getting more nervous as I got to the spot where it had jammed. Perhaps it would unjam, I had no idea. 

I arrived to where the rope disappeared into the crack, placed three cams and clipped to them. I slipped a hand in the crack and groped around. The rope had melted into the knot I mentioned. Unweighting the rope, I yanked it out of the crack. Much of the rope was fused together, too melted to use. Salvaging what I could of the rope, I made a series of short rappels to the ground, leaving cam anchors.  

I touched down safely and without a scratch.

The rope that held the fall, and the sprung carabiner that clipped it to a homemade gear sling that was sewn from a guitar strap.

I think about that fall nearly every day, and wonder if it had had to happen that way. That I had to fall, that the rope had to be in that precise spot to catch in that crack. Maybe I was supposed to learn something, quit taking life for granted. Take up prayer. Go back to school.

My glimpse behind the black curtain didn’t teach me anything, and I didn’t change a thing. I even climbed the tower again by another route the very next day … just to mess with the big coder in the sky.

Also Read:

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He “Stole” Our FA. We Got Over It. https://www.climbing.com/culture-climbing/he-stole-our-fa-we-got-over-it/ Tue, 04 Jul 2023 12:20:20 +0000 https://www.climbing.com/?p=99642 He

"The Roach was nonplussed about snagging the route. He didn’t apologize, nor did he brag, and he obviously had designs on other new lines. We considered chopping the bolts."

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He

It was a bolt. Couldn’t miss the glint of the hanger. The bolt hadn’t been there the week before, it had appeared like ghosts appear, but this one stayed.

Who had placed the bolt was a mystery. We, the locals, all handful of us, knew every inch of the rock, who climbed what, who wanted to climb what, but no one knew anything about the bolt.

If the bolt had been on some scruffy slab all the way around on the backside with the long approach through tall grass full of diamondback rattlers, no one would have cared. But this bolt was on a prized line, the King Line, and we’d hoped to bag it ourselves when we could do it “in good style,” which was really just a way to put off the work and risk—you had to climb ground up back then, making any new route an exercise in terror management.

Two photos of climbers doing very scary climbs in the 1970s and 1980s
Left: Bill Thomas, in 1979, drills the belay bolts at the end of the first pitch of S Wall at Quartz mountain. This 5.9 is characteristic of the style and type of climbing done in this era: The route has one bolt per pitch and no gear in between. Right: The author during the first ascent of Chicago Bound, a 5.11 at Quartz Mountain, Oklahoma, done in 1980. Gear was primitive and bolts, if any, had to be drilled onsight and on lead. (Photo: Duane Raleigh)

On closer inspection we found that the route had more than one… which meant that an interloper had snaked one of our prized lines.

It didn’t take long to find the bandit bolter because he showed up at the crag the very next weekend. He had a tight military cut, talked in a snappy staccato that took a moment to translate. There was a decisiveness, a special sharpness about him. When he moved he didn’t push the atmosphere aside, he cut through it. His car had New Hampshire plates. A Yankee!

“The Roach” was a sergeant in the Army at Ft. Sill, about 45 minutes southeast of Quartz Mountain in southwestern Oklahoma, and he had a habit of slipping into areas and snapping up prize lines. One of us, I forget who but think it was Jimmy “The Rat” Ratzlaff, coined that nickname. The Roach’s real name will have to remain anonymous—even now 45 years later he never wants to be mentioned in any article, guidebook, website, or anywhere at all. “Can’t risk my security clearance,” he told me about 10 years ago. “Leave my name out of it.”

The Roach was nonplussed about snagging the route. He didn’t apologize, nor did he brag, and he obviously had designs on other new lines. The Roach was fresh from visiting Stone Mountain, North Carolina, where he’d scooped up the FA of a bold, striking line; he had done the same at Looking Glass and would soon be embroiled in a dispute down in Texas where he would cruise the FA of the locals’ crown jewel of projects. And now this route poacher was at our crag.

The Roach was the most economical person I would ever meet. He’d found a pair of big, round Jackie-O style ladies’ glasses, and these he wore. He’d also found his pants and shirt on the Interstate shoulder, billowing on barbed wire like empty scarecrows. The Roach wouldn’t pay for store-bought bolt hangers, so made his own from thick aluminum L stock. On one side of the “L” he drilled a 1/4-inch hole to fit the 1/4-inch bolts that were standard back then, and on the other arm of the “L” he drilled a slightly larger hole for clipping, a hole just large enough to accept a certain type of carabiner, a blind-gate Eiger oval, with a small nose. If you didn’t have that certain special carabiner, you weren’t clipping the bolt. That small hole was a lock opened only with inside secret knowledge. “Oh, you didn’t have the carabiner,” ha ha.

Those large, bright aluminum hangers were impossible to miss, especially when they tacked their way up “our project.” And there they were bold and bright on the golden granite.

We considered chopping the bolts. We didn’t like them, and didn’t like how they looked, or that was a good excuse.

There was a precedent for erasing routes. In 1971, less than a decade earlier at this point in time for us, Royal Robbins had gotten twisted up by the hundreds of bolts Warren Harding had placed on the Dawn Wall on El Cap, and he set out to chop the route. Robbins cut the heads off bolts on the first two pitches, then, impressed by the severity of the climbing (and by the difficulty of chopping bolts), he put the chisel away and let the rest of the route remain to become Tommy Caldwell’s project.

Though Robbins and Harding were both Yosemite locals with strings of first ascents, they differed philosophically. Robbins considered himself a purist, climbing the rock on its own terms, whatever those were. Harding, who had pioneered the Nose, the first ever route on El Cap, was a “do whatever it takes to get the job done,” guy, and if the job required drilling, that was just fine.

Bolt chopping stories abound and new ones make the news even today. Just a couple of years ago the Pikes Peak bolt war outside Colorado Springs pitted local against local, with one camp placing bolts and fixing gear in a staunchly traditional area, with the other camp removing the gear—even bolts and pro placed on lead—to preserve the area’s wilder flavor.

Robbins and Harding and the chopping on Pikes Peak illustrate how even locals can’t agree on whose rules rule the crag. Locals’ disputes are often generational, ego driven and can boil down to who got there first—just exactly what qualifies you as a local?—but warring locals can usually find common ground in that they have rights to the stone over any outsider.

Recently, in Pine Creek in California’s Eastern Sierra, a visiting climber was accused by the locals of stealing a new route on a crag they said they had discovered. To clear the air, the climber, according to his Instagram post, met the locals at the crag and showed them the line. The locals noted that the new line was different from the one they had imagined, but they removed the bolt hangers anyway. “We want this crag for us and our friends,” they purportedly said. “You aren’t local and you are not welcome to bolt here.”

The Roach on the crux pitch of Excalibur, an early ascent in 1982. (Photo: Duane Raleigh)

Having our route stolen by the Roach was troubling for us, and our first reaction was to put him in his place. But was it really our right to chop his route? Who really owns the rock? Who has the right to develop it and dictate style? At Quartz Mountain, farmer Ted had legal title to the rock, and a hundred years earlier the Kiowa, Apache, Comanche, and Arapaho would have said it was theirs.

Just as surfers stake out waves, local climbers are the de facto bosses of “their” rock, imposing a pecking order, setting the style for the crag, imbuing it with a tone, as we see with the Pine Creek episode. Visitors in this scenario are usually welcome as long as they respect the order, or respect it for the most part, which can mean that you can climb here, but you can’t put up routes. The smaller the pond, the more the locals exert themselves.

That locals are possessive, selfish even, isn’t entirely bad. When bolts corrode, when lowering carabiners groove out, it’s up to the locals with a sense of ownership to replace the hardware. The local climbers are also the ones who build and maintain the trails, have clean-up days, and smooth relationships with park and other land managers. Locals also usually write the guidebooks. Giving a nod to the locals for the work and care and sometimes financial resources they pump into a crag is often all the thanks they ever get, and this acknowledgement, minimal as it is, can be what keeps them going.

*

At our granite outcrop in Oklahoma we knew we’d just been beaten fair and square. We didn’t have any special claim to the rock. We could have stayed sour, but the air leaked out of our angry balloon. We tied in and repeated the route. The rock was flint hard and flawless, the route took a brilliant position up a narrow buttress and connected discontinuous features that were obvious only after being connected. It had taken a real eye to suss it. Turned out the Roach really knew what he was doing. In fact, he climbed at a technical level beyond us. He was the kick in the pants we needed to get busy on the rock ourselves, and we could and did learn from him.

The Roach went on to put up more routes at our area, all quality even with those ugly hangers. Nights we’d all gather around the big mesquite fire in the “Turkey Track” cave, named by Farmer Ted because he thought the peace sign some hippie had painted in there was a sign for turkey track. We’d shuffle around the fire to stay out of the smoke, and everyone but the Roach, who didn’t drink, would drink a few Brown Derby’s and try to work the cryptogam on the inside of the bottle cap. We’d drink, stare into the flames, and relive the day’s adventures, our hands becoming shadow puppets on the cave walls. People had likely been doing much the same in that cave for thousands of years, and now it was our turn.

The coming spring most of us, including the Roach, went to Yosemite, where I took my first and second trips up El Cap with him. Later, we climbed in the desert southwest, did a wall in Mexico, and then the Roach was transferred to another base and I moved to Colorado. I still see him sometimes and it’s always like it’s always been. He pulls up, shows you the “new” wardrobe he’s found, then rushes off to get to somewhere else, someplace with potential. Your crag perhaps.

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Oh Those Dog Days, Yosemite Valley, 1983 https://www.climbing.com/culture-climbing/oh-those-dog-days-yosemite-valley-1983/ Thu, 15 Jun 2023 19:30:41 +0000 https://www.climbing.com/?p=99333 Oh Those Dog Days, Yosemite Valley, 1983

Yosemite in the early 1980s was nearly carefree living, but with an undercurrent that could pull you under, suffocate you from not knowing what you were doing or where you were headed.

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Oh Those Dog Days, Yosemite Valley, 1983

It was a fingerless glove, mesh back, the sort you wear on big El Cap nail ups. The glove was on the trail at the base of Tangerine Trip. Eyes down, buckling under a fully loaded haul bag, I stooped over, picked it up. The palm had a black groove with a sheen. Rope burn, I thought. The glove was small, tight on my hand. A woman’s glove.

I looked around, didn’t see anyone, didn’t hear anyone. The only sound was the granite getting hot in the late summer sun. Most people couldn’t hear that, but after a while in this place you tune in to new frequencies, evolve into a different animal. 

I needed new wall gloves, but, broke, had to make do. My gloves had holes in the palms I’d wrapped with duct tape that had holes in it, too. I was approaching Zenyatta Mondatta, a line on the far right side of El Cap by the Circle, and the only other team who’d been within shouting distance was a couple fixing pitches on Tangerine Trip. I looked up, craning to see their ropes in the big roofs that make the Trip a real trip. No one there, just their lines swaying in the draft, tied off out of sight way somewhere, maybe where that guy died a few years back when his rope cut on a sharp flake. I’ll be taping over sharp edges with duct tape, count on that.

I’d expected to see the couple on The Trip. She was confident, nice, probably late 20s, carried a bible. Her partner was Slovakian and that’s all I knew and I didn’t even know that until I read it somewhere later. 

Probably her glove, dropped, I thought. I put the glove in my pack to give to her, and pressed along the base of the wall, working through talus to the start of ZM where I had the first and second pitches fixed. Today was pitch three. I’d fix that one, go back to the SAR site, rest for a few days, carry up a final load for the remaining dozen pitches, then blast off as they say.

ZM” was the brainchild of Jim “The Bird” Bridwell, done in ’81 with Peter Mayfield and Charlie Row. Bridwell had worked on it, another one of his masterpieces, for several years, and his fixed ropes had hung so long they had pissed off someone enough to stretch the bottom rope down tight and slice it off as high as they could reach. The cut tail rebounded dozens of feet into the air, out of reach on the overhanging wall. 

But nothing was out of reach for The Bird. He taped a jug to a long pole, stretched up, clamped the jumar onto the fluttering rope end, and pulled it down. Hah!

In 1982 I’d tried to make the route’s second ascent with Tom Cosgriff, but on the thin second pitch, a shallow groove in a corner, he ripped a small RP and fell about 40 feet zippering a string of RPs, breaking the cables, until he factor two’ed onto the belay. He went back up, fell again and broke the cables on our second set of RPs. 

“Had to bail, ran out of RPs,” would be our answer if anyone asked.

In the two years since the FA, the route had had a second ascent by Todd Bibler, famous now for his Bibler Tents, and Katherine Freer who, with alpine legend Dave Cheesmond, would disappear five years later on Mount Logan’s Hummingbird Ridge. 

That year, or maybe the next, ZM got its third ascent by Randy Leavitt and Rob Slater. Randy was on his way to becoming one of climbing’s most prolific all arounders, making an early ascent of Sea of Dreams and soon climbing 5.14 when almost nobody did that. He was one of climbing’s brightest, smart enough to not make a living of it, becoming a real estate broker in San Diego.

Rob had a shag of curly blond hair, a slightly lisping voice and spoke with such enthusiasm you had to wipe the spit off your face when he was done talking. “Summit or death, either way I win,” he would famously say as he headed to K2 in 1995. He reached the summit, but perished with five others, including Alison Hargreaves, in a violent storm on the descent.

I had returned to Zenyatta alone to solo it, or try. After that summer with Cosgriff the year before, I’d returned to art school, but painting and drawing seemed pointless; climbing less so, and I spent more time climbing buildings on OU’s campus than in class. Unbelievably, the school’s athletic director gave us permission to climb a long expansion crack, a shallow, thin-hands job, on the underside of the football stadium, a shrine in that part of the country, and we made the first and likely last ascent after what we’d actually done sank in with school management, who probably thought “climbing” involved a few laps up the bleachers.

The FA of the OU stadium, circa 1982. (Photo: Duane Raleigh Collection)

*****

Stopping by my parents’ house in western Oklahoma near the beginning of the spring semester I told them I wouldn’t be going back to school. “Going to Yosemite,” I said and that was it.

They weren’t too upset, figuring everyone had to go west at some point and at least I wasn’t heading out there to pick cotton like they had had to do when they were kids. 

Yosemite in the early 1980s was nearly carefree living, but with an undercurrent that could pull you under, suffocate you from not knowing what you were doing or where you were headed.

There were lots of scams to get you by. You could poach a campsite after hours or curl up farther in the woods. If you had a mug that looked like the ones they used in the cafeteria you could get coffee “refills” in the morning, and scarf eggs and sausages and hotcakes left on plates by tourists. But you had to be quick, stake out a spot and stalk, and get the action before the trays were bussed or someone beat you to it.

Fifty dollars a week would cover everything, even beer, and you were in relative riches if you got on the SAR team and pulled down about $5 an hour searching for lost hikers or hoisting the occasional climber off some wall.

Sometimes we’d carpool to a café in Mariposa, or maybe it was somewhere else, where $2 would get you all the fried liver you could eat. 

Camp 4 was plastic draped over sagging tents, smoldering fires, people laying on the ground, leaves in their hair, sleeping during the day. At night it was pitch black and nameless voices relived climbs or slagged people outside the righteous circle who didn’t climb hard enough. 

Nearly everyone in the site had a nickname, a military sort of rank that shuffled the pecking order. The Fish was a machinist with forearms as solid as baseball bats. The Smoochfink drove a rusted van that seemed to require an hour of repairs for every minute of flight time. Some days we’d push his rig into a new parking spot to keep the rangers from towing it. Mortimer was a former aerospace engineer, freshly retired in his mid 20s. “Couldn’t stand doing nothing at work, pushing a pencil,” he said. He once had bought a BMW motorcycle, took it completely apart down to the nuts, tweaked it for higher performance, and reassembled it all in his living room. Out on the road on his tuned-up bike a CHIP had pulled him over back when he was still employed.

The cop ran the plates and noticed that Mortimer had had a bucket full of speeding tickets.  

“Why are you always in such a hurry, Mr. Shipley?”

“No hurry,” Mortimer said. “I just like to go fast.”

Mortimer also talked fast, like a speeded up recording, and was the boldest climber I knew and would ever know. When I climbed with him I felt as if I was getting away with something, and that I’d be better doing anything else.

*****

I jugged the lines to the start of the third pitch, a weaving job with head and hooks and flakes you didn’t want to pull on. When the rock was sharp I put a strip of duct tape to pad the cord. About a dozen years later a soloist would have his rope cut here and he’d go 300 feet to the deck.

I had this song stuck in my head, Let’s Have a War by Fear, and every time I got back on the wall that song would fill me up again even though I didn’t really like it—Let’s have a war so you can go die! The music didn’t leave until the last pitch a week later when I heard people yelling down to me from the top, saying they’d brought up water. But when I pulled over the top there was no one there.  

Tying the rope off at the end of the third pitch, I rapped and headed back to camp. 

The mood was somber. 

“You know that girl with the bible,” someone said. “She fell cleaning roof pitch on The Trip. Didn’t tie in to the rope and her jugs popped off the rope. Went 300, 400 feet into a tree.”

They had had to go get her, and it didn’t sound pleasant.

“You must have walked by that tree. You didn’t see her?”

Nope, and was I glad I hadn’t.

*****

I sat around for about a week. Thought about bailing, then decided to go back up because pulling the ropes and humping down all the gear would be a lot of work, and besides, I had nothing else to do, nowhere to be, no one to report to.

You have to try hard today to find that place of nothingness, cut off from nearly everything, no phone, no email, no texts. 

I carried the last load up to Zenyatta, wobbling along the base of El Cap where big routes line up like monuments to old wars. Mescalito. PO. The Sea. The NA. 

Sometimes you’d find dropped booty, a wired nut or pin, on the trail. That would be a good day and some people would spend days scouring the trail to fatten their racks. Does anyone still do that?

When I got to Iron Hawk I could see ropes still on The Trip. When I got to the start of The Trip I dropped my pack and unzipped the top pocket.

The glove was still there. I took it out, set it on the ground, and headed for my fixed lines.

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6 Things Every Climber Should Do Before They Die https://www.climbing.com/culture-climbing/bucket-list-for-climbers/ Mon, 15 May 2023 23:55:35 +0000 https://www.climbing.com/?p=98615 6 Things Every Climber Should Do Before They Die

Every climber should at least once, put up a new route, get stranded on a climb, go ice climbing ... the bucket list goes on.

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6 Things Every Climber Should Do Before They Die

1. Climb some place old.

When you visit a museum and see the masterpieces made by the ancients with their bare hands, you will be awed. Climbing at an old area will also give you pause, and perhaps inspire you to do something incredible yourself.

Thirty years ago I went to Dresden—arguably the birthplace of rock climbing—where people like Oliver Perry-Smith were climbing hard before I was born, before my parents were born, and before their parents were born.

Bernd Arnold, a leading Saxony climber, establishes a first ascent on the histoical sandstone walls of the Eldsandstein, near Dresden, Germany. Rock climbing, as we think of it, began here well over a hundred years ago.
Bernd Arnold, a leading Saxony climber, establishes a first ascent on the histoical sandstone walls of the Eldsandstein, near Dresden, Germany. Rock climbing, as we think of it, began here well over a hundred years ago. (Photo: Duane Raleigh)

We like to think that we are pushing standards today, but repeat a route on the sandstone of the Sachsische Schweiz and you’ll get a reality check. The routes are long, steep and were climbed barefoot, no chalk, onsight and with no gear except for an occasional ringbolt or jammed knot. I backed off a completely unprotected 5.8 that Perry-Smith put up around 1900, and the grades reach into 5.13 for routes done in the old classical style.

Perry-Smith was an American studying in Germany, who made ascents of big routes around Dresden in the early 1900s. One of his routes, the Perryriss (5.9) on the Daxenstein was so beyond the imagination of other climbers in 1913 that they accused him of lying. To quiet them, he soloed the route and carved “Perry” in the rock on the second pitch. You can see it still there today. You should go see it.

2. Do a first ascent.

History doesn’t note the people who made the second ascent. Many leading climbers today only repeat routes, and that is too bad because they won’t be remembered. No one remembers the second human on the moon, the second team to climb Everest, let alone the 1,000th person to climb Easy Skankin.

Putting up a route will get you a piece of immortality, and while you still live it will make you appreciate the hard work behind first ascents. The next time you think a route is a little dirty, or has a hard clip, or has a name you think is lame, you’ll understand. Repeating a route is like being a passenger in a car. If you don’t like where it is headed, get behind the wheel.

3. Replace the worn-out anchor on a route you didn’t put up.

Gandhi said that “The best way to find yourself is to lose yourself in the service of others.” Finding a route that needs new bolts or anchor chains or lowering carabiners and replacing them won’t get your name in the book, but it will make you happy. While you are at it, upgrade two routes and get really happy.

4. Go ice climbing.

Whoever says ice climbing is easy hasn’t climbed ice. Almost every winter I introduce a rock climber to ice, and every single one of them has said that they have never been as pumped out of their mind rock climbing. Climbing a pitch of ice is as physical as chopping a cord of firewood and as intimidating as swimming across a big, cold lake during a storm. Make that chopping the wood while swimming across the lake. So why do it? Because it makes rock climbing seem easy.

Face it, most climbs don’t take you anywhere. You struggle up 35 meters rock to where … ? An arbitrary ending equipped with a couple of scraps of chain and worn carabiners? How unromantic.

Ian Welsted climbs a goulotte of ice along the Icefields Parkway, Alberta.
Ian Welsted climbs a goulotte of ice along the Icefields Parkway, Alberta. (Photo: Anthony Walsh)

5. Climb a tower.

Climbing began as a sport because people desired to stand on the top of a mountain. Conquering an objective meant something then, and it still does despite nearly everyone nodding to the cop-out adage that “it’s the journey, not the destination.”

Fortunately, you can experience the euphoria enjoyed by Whymper and Messner by climbing any one of a nearly limitless supply of desert towers (in Europe, try the Dolomites.) Bagging a tower is like owing your own private island, or being marooned on one. My favorite summit is the needle point of the
Ancient Art in the Fisher Towers. Getting there isn’t too hard and the route isn’t long, but the summit barely has enough room for one person to stand, and when you are there you can’t help but wonder if the tower is going to fall over with you on it. Then you look uphill and see that nearby Cottontail Tower, the Titan, and Echo Tower are even higher. Better climb those ones, too.

6. Get benighted.

Getting stuck overnight on a climb isn’t something you can script, but if you are lucky and do something more substantial than a sport route or boulder problem, at some point you will find yourself hunkered down on a ledge or standing in slings, watching the sun sink below the horizon. And there you will stay until sunup.

During the night you will be hungry, uncomfortable, and filled with regret, but you’ll also have several important realizations. The first one is. “Hey, I’m not going to die.”

Understanding that you can survive without a bed or hot food or a shower will make them seem as frivolous as they are. Unnecessary, even. The second realization is that being on a cliff or mountain all night is one of the coolest things you could ever do, a rare opportunity to star gaze and think without interruption, or think of nothing at all.

What’s on your list?

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The Time I Came Unglued on a Solo https://www.climbing.com/culture-climbing/unglued-free-solo/ Wed, 12 Apr 2023 15:00:45 +0000 https://www.climbing.com/?p=97678 The Time I Came Unglued on a Solo

The air under me when I had started up didn’t seem consequential, but now it was all I could think about, the foot slipping, hands skipping off the polished rock, a long fall to the base.

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The Time I Came Unglued on a Solo

Donnie and I climbed for five years before we even saw another climber. This was the mid 1970s and you probably wouldn’t recognize the sport if you could get an operational time machine and transport yourself to 1975. 

Besides the low number of climbers, attitudes were different, too. Free soloing wasn’t an oddball activity practiced by a few, rather most of the climbers I knew—that is once the gang grew to a whopping six of us—soloed. Soloing was simply something you did, added to the sport’s tradecraft that included bouldering and nailing. 

I hadn’t met Henry Barber back then, but he was an inspiration, and climbing’s marquee name for his pure style, which included soloing. One Saturday Barber was on the American Sportsman to free solo The Strand, an exposed 5.10 on a sea cliff in Wales. The viewing was so critical to our development Donnie and I stayed home, an otherwise impossibility, to watch.

After that I bought a beret similar to the one Henry wore, and climbed more and more without a rope. When we graduated from high school and Donnie got married and moved away, I only soloed and made it a mission to solo every route we’d climbed with a rope. Looking back I’m fortunate that our rudimentary gear and tennis shoes limited us to about 5.7. 

Two years later, in college, I had a new partner, Mark “Herndie” Herndon, who would go on to become an early BASE jumper and a wildcatter, but back then climbing was all we cared about.

We didn’t think of soloing as much more than practice for run-out trad routes, and where we mostly climbed, in the Wichita and Quartz mountains of southwestern Oklahoma, being strung out dozens of feet above gear was normal. Some routes were so runout they were practically solos anyway. 

Mark “Herndie” Herndon buildering on the OU campus, early 1980s. (Photo: Duane Raleigh)

Normalization to danger is a common phenomenon. Driving a car is dangerous and you likely realized that when you got your license, but now that elephant is no longer on your chest and driving is so casual you might even do it with you knee. If you solo much, it gets like that. 

We soloed and didn’t think too much of it as long as the rock was solid, which the pink quartzite of the area was, and you climbed a few notches below your onsite grade, which we always did. In fact, after 50 years of climbing I’ve only known one person who climbed at his onsight and that was the great Walt “Mortimer” Shipley. When he was leading 5.11 he was onsight soloing 5.11. 

“That’s crazy,” everyone would say, but he did it anyway, adding to his list of craziness that could fill a book with the last chapter written in Dinky Creek in 1999.

Walt “Mortimer” Shipley in Snells Field, Chamonix, France, in 1984. Walt was one of the few, and perhaps only, climbers to free solo at his onsight roped leading grade.

***

The South America wall is a plaque of bullet-hard pink granite on Old Baldy or “Quartz Mountain,” a south-facing dome that rises some 300 feet from Ted Johnson’s wheat field just south of the prison in Granite, Oklahoma. The “SA” wall is shaped exactly like the continent itself—naming it wasn’t a moment of inspiration, although farmer Ted, during the many years he plowed the fields at the base, saw something different in that wall, a woman. “See it,” he says, and work his hands in the shape of an hourglass.

The center of that wall appears blank from a distance, but like most “blank” routes up close it has holds. Amazon Woman takes the righteous line basically straight up the middle. The route’s name was a play off of the southern continent and Ted’s vision, and was a nod to the mythological female Greek warriors who were dead eye shots with the bow.

Amazon Woman has four bolts in 130 feet and begins with a row of steep crimps. At about 40 feet the holds get larger and get you to a nearly impossible looking section of polish where the wall kicks up to about vertical, but still has just enough hidden holds to go at about 5.9. Twenty feet later the wall lays back, but it is here, at about 110 feet above sharp granite talus, you’ll find the crux, a small roof that you high-step over using polished scoops for handholds. That move goes at about 5.10, but on a hot day those scoops get smarmy and no longer feel like holds, bumping up the grade at least psychologically. 

I’d climbed the route a dozen times and had never fallen, and during a weekend of cragging with Herndie and soloing, I decided that Amazon Woman could use a solo. Back then 5.11 was about the top of the climbing scale and 5.10 was a sort of dumping ground: when a route was harder than 5.9 but you were reluctant to give it the heady grade of 5.11, it became a 5.10. Most routes at Quartz were 5.10, and that is the grade we led most of the time. Solos were 5.7 to 5.9 on most days.

Paradoxically, ground up climbing on less than vertical rock didn’t require physical strength as much as it did mental strength. Training the mind didn’t seem possible, so we trained the body with endless pullups, sometimes as many as 1,000 a day, on a “fingerboard” made from wood scraps. Having power gave us confidence—we were pretty certain we could downclimb from any situation, or keep going knowing there was always juice left for another move. Alex Huber would, when he freed the Salathe over a decade later, call this having “power to waste.”

One of “the gang,” Terry Andrews, around 1980, leading Amazon Woman at Quartz Mountain, Oklahoma. (Photo: Duane Raleigh Collection)

The late morning was crisp when I started up Amazon Woman and the lower section of crimps and knobs was soon history, and I arrived at the crux overlap just as the sun peeked over the ridge and bore down on that set of polished scoops. Earlier that morning I’d visualized the crux, reaching to the scoops, bearing down on them, hiking a foot waist high, rocking over and down pressing. Routine.

But, now that I was actually at the roof I considered various ways to get over it and avoid the total commitment of the rock over. What about laddering the hands higher on upper holds and working my feet higher? 

I pulled onto the roof and reached for those higher holds. Except there weren’t any. Shit! 

Reversing course, I lower back under the roof and planted my feet on a solid edge, to camp there and re-evaluate. 

OK, that didn’t work, go back up and do the move just like you’ve always done. Don’t think about it. 

I moved back into the roof, pressed into the scoops, hiked a foot high to just above the roof’s lip, but it didn’t feel right. It felt slippery. Probably, the foothold wasn’t any more slippery than it ever was, but at that moment it felt like my foot could blow off and there’d be no way to catch myself on the scoops.

Back on the camper edge below the roof, and with the sun now warming the face, I ran through the options.

  1. Downclimb over 100 feet. Possible, but there are a few spots that would be tricky to reverse—odds would be better pressing over the roof.
  2. Traverse left 30 feet and jump onto the parallel route South Pacific, a 5.7 with large holds. But, that would involve working out unknown moves on the traverse, then risking all on a jump—odds would be better pressing over the roof.

Back on the ground, Herndie was watching from the boulder field and noted my predicament. “I thought about running around, going up the backside and dropping you a rope,” he’d later say. That conceit, however, just wasn’t cool and, along with toproping, previewing, rap bolting or even studying a route too closely, it wasn’t allowed in 1981.

A few words about those scoop handholds. Imagine pressing your fingers into a pair of spoons, spoons that had been worked over with emery cloth and silver polish. The scoops on Amazon are smoother and the foothold you commit to is no better. In that moment when you weight your shoe you trust all to the coefficient of friction—your shoe sticks and you make it, or it doesn’t.

I had hesitated so long on Amazon that perhaps an hour had passed with me stuck under the roof and the holds getting warmer and warmer. 

At that point in my life I hadn’t worked out time-machine thinking, that is mentally projecting yourself forward to a better moment, imagining yourself really there, and skipping over what is actually happing to you right now. It is a useful trick for getting beyond tight spots and works provided that in the future when the moment you imagined happening really happens, you note it. If, for example, you projected that in the future you won the lottery, then when you actually win the lottery you have to think, This is that time, that other thing never happened.

This isn’t like becoming unstuck in time like Billy Pilgrim in Slaughterhouse Five because unlike Billy you can’t actually go backwards.

That’s the downside: You can find yourself at a distant point when you are decades older and wish then that you could go back and be young again, so you should use projecting sparingly if at all. Usually it’s better to stay where you are even when that moment seems intolerable. You will find then that suffering slows time and when the moment is especially uncomfortable it is possible to achieve near immortality. Which could be the Christian version of hell.

But on Amazon Woman me figuring out the nuances of time travel were still four years away and I had to live in the awfulness of Now.

I pulled into the scoops again and again, hiked the foot over again and again, and couldn’t commit. The air under me when I had started up didn’t seem consequential, but now it was all I could think about, the foot slipping, hands skipping off the polished rock, a long fall to the base.

After another round of mental gymnastics going over the alternatives, I ruled them out again, tried to steady my mind, and pulled back onto the scoops.

They were smooth but I knew that. The foothold was slick, too, but I knew that. This time I didn’t hesitate, weighted the foot, rocked over and pressed out the roof. It felt easy, the hard part had part had been deciding to do it. Twenty feet of easy climbing and I was on top, sitting in tall grass bent by the wind. For the first time I noticed that my feet hurt and unlaced my EBs. On the hike down I stepped over a big diamondback rattlesnake hidden on the trail. Next time, go down a different way.

Forty-two years later I’m writing this column, thinking back to what should have been a learning moment, but instead was just an insignificant point in time, pecking at letters on a keyboard, projecting to a fine day on Looking Glass, underclinging smooth eyebrows and listening to the chirps of the Carolina Wren. That is all that really exists, the present can be easy to skip over.

See how it works?

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